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Published 31.03.2015 | Author : admin | Category : Very Irresistible For Men

I love those videos in which a sky full of clouds above a picturesque landscape is shown in fast-forward. I get that same feeling listening to Buskin and Batteau sing the title track of their 2009 release, Red Shoes and Golden Hearts. David and Robin have conducted the introductions: a€?Exceptional intelligencea€¦ meet classical training. David and Robin were part of a Sunday evening group concert in Connecticut in mid-September They would be at rehearsals during the afternoon, but would talk during a€?down time.a€? We set up a phone interview to find out what their life paths would reveala€¦ Succinctly, it's been one hell of a ride.
And then I got into folk music in high school, basically because a lot of girls were into it. From April 1963 to September 1964, a network TV show called Hootenanny featured pop-oriented folk music. Later on, a different coincidental event occurred where David went to a concert to see Blood, Sweat and Tears, The Allman Brothers and Appaloosa, a band that Robin was in.
After David got out of college, he was drafted and ended up in Army entertainment doing shows for the troops from the fall of 1966 to the fall of 1968. When he was around 8 years old, around 1956, Robin was on a trip with his family driving through the Adirondacks. Once, Dee Dee called to ask, a€?Do you want to get together and sight-read some classical music? Robin left Harvard after his junior year, because his father died and the family was broke. After the band made two albums, Robin's mother found a well-paying job doing translations for the Boston court system and Robin was able to go back to school.
Back at Harvard, he said, a€?I took a wonderful writing course with Kurt Vonnegut.a€? He remembers Kurt as a wise, generous man who, the more successful he got, the more he tried to give back to others. Pierce Arrow toured and opened for many big acts -- The Kinks and The Doobie Brothers among them.
Things went well from there until one of the band members dove into a pool during an after-gig party and hit his head, breaking his neck. By then, David and Robin discovered that they were having more fun playing Everly Brothers songs backstage than they were doing the act onstage. The steps that occurred in the formation of David and Robin plus Marshall Rosenberg into a full act is a testament to the generosity and flexibility of Tom Rush. The beginning of the end for Buskin & Batteau started when they were booked as the closing act at the first-ever Friday night show at the Newport Folk Festival. Robin did get involved with Paul Newman's Hole in the Wall Gang Camp, which supports children with with incurable cancer and blood diseases. Now they've both realized that the most important thing is the love of making music together. David and Robin were part of a Sunday evening group concert in Connecticut in mid-SeptemberA  They would be at rehearsals during the afternoon, but would talk during a€?down time.a€? We set up a phone interview to find out what their life paths would reveala€¦ Succinctly, it's been one hell of a ride.
Hosted by assigned participant players, the Acoustic Live Friday afternoon booth showcases slogged through a constant downpour. I followed them part way, staying inside, next to Jim, the harp player, and Sarah, the fiddler, soaking in their swooping melody lines that helped the song fly.
This was my first close-up taste of this phenomenon; an organically formed band whose disparate pieces meshed as if grown together out of the same soil. The story, however, begins with husband and wife Mark Miller and Beth Jamie Kaufman, who form the main stem from which the banda€™s other tendrils sprouted. After graduation, Mark went back to Boston, where his degree did not prove to be a job magnet.
In spite of an obvious talent in the digital realm, Mark decided to move to San Francisco to become a chiropractor. At that point, as he said, a€?deep in the purgatory of the transition from the mature and peaceful art of analog tape editing to the nuclear fallout caused by the insertion of the first generation of PCs into the recording studio, I got a random phone call asking if I could write music for a video game.
Mark spent the next 10 years building the largest independent studio for video game music and produced soundtracks for more than 100 titles. Early in this period, Mark and Beth played together in a a€?dismal blues band.a€? She said, a€?It was us and a bunch of musician guys that all worked with Mark in the video game scene out in San Francisco. A job offer from Harmonix brought Mark and Beth back to the East Coast and Mark worked for them leading a€?up to but not including the development and launch of Guitar Hero.a€? Needing out of the game business, he went back for his MBA at Northeastern University.
Beth, being very resourceful, managed to find out what the instrument was (a bouzouki a€” leave it to David Lindley), and got Mark one for his next birthday.
In conversation with three of the other band members during our dinner together, I got to see firsthand why these intelligent, articulate, funny people have so much fun making music together and enjoy each othera€™s company off stage as well.
Tom Socol is a good guitarist who had played in a lot of bands but hadna€™t played out for a long time. A good friend of theirs, Steve, a professional bassist, a much more serious musician, joined the group for gigs.
One of the places that the band began to play on a steady basis was the Hastings Farmera€™s Market. Another piece fell into place when, similar to what happened with Tom and Ellen, Lou Gesera€™s wife mentioned to Mark that Lou, needing an outlet, played drums.
John Neidhart, the bassist, had started off in folk and blues and had gone through a long rock a€™na€™ roll period.
When Tom couldna€™t attend all of the 2010 NERFA Conference, John suggested that Rik fill in at the remaining showcases and jams.
John Neidhart, theA  bassist, had started off in folk and blues and had gone through a longA  rock a€™na€™ roll period.
An ethereal blend of two voices, guided by fate to find each other, travels the wire from iTunes to earbuds and into my ear canal a€” so exquisite, ita€™s almost unbearable.
Hannah and Maggiea€™s almost unearthly harmonies evoke descriptions like a€?Simon and Garfunkel crossed with the Indigo Girls.a€? Indeed, they have been included in a number of Simon and Garfunkel tributes.
When Hannah was around 10, there was an electric guitar sitting in the living room, a leftover from one of her fathera€™s stage roles. The drama club would host coffeehouses every first Friday and that was where Hannah first performed solo, singing her songs and accompanying herself on guitar.
Maggie was in chorus, but switched her energies to forming rock bands when she was still in middle school.
Although Hannah earned a degree in American Studies with a focus on Race and Ethnicity and Maggie in Comparative Literature with a focus on English and Spanish Literature, it would be music that defined their path going forward. The house to which Hannah was assigned was an old, Victorian-style residence (the oldest on campus) that, at 50 coeds, was smaller than most. At some point they harmonized on one anothera€™s songs and some friends suggested that they sing together.
Hannah graduated in 2011 and moved to New York City, with Maggie still having one year left.
In January of 2012, they recorded their second album, the aforementioned Muscle & Bone, and released it in May. Hea€™d come backstage to change costumes and she would witness the transformation of her father to an actor with a€?elaborate costumes and crazy makeup.a€? She absorbed the idea that investing onea€™s time into performance and the arts was a valuable thing.
Maggiea€™s dad was happy that she was playing acoustic, and wasna€™t thrilled that her goal was to play rock. There was a broad range of types of performance, ranging from poetry and music (Hannah would sing and play guitar) to displays of visual art or even hair styling.
In 2010, Hannaha€™s junior year, they sat down to play music together working on covers and originals.
Hannah graduatedA  in 2011 and moved to New York City, with Maggie still having one year left. In January of 2012, they recorded their second album, the aforementioned Muscle & Bone, andA  released it in May. I noticed that if I bought a turtleneck and and learned how to play the guitar and went down to Greenwich Village on the weekends, there would be a lot of young women down there.
David characterizes it as a€?the nanosecond in recorded time that folk music was a viably commercial enterprise.a€? The show used college students for its studio audiences. Marshall Rosenberg, their percussionist, was also in that same audience (none of the three had met each other). After he got out of the military, he had written a song called a€?When I Need You Most of All, and approached Lou Levy, the father of a friend who was highly connected in the music business. He says, a€?The band sucked, but I got to meet Robin.a€? Percussionist Marshall Rosenberg was also in Pierce Arrow, so this is where the core of their current act met. As an adult, Harold was the subject of a€?Butterflies Are Free.a€? first a book, then a Broadway play and then a movie.
Robin went to the school cafeteria where he encountered George, who gave a proprietary greeting, just as the jukebox started playing a€?Please, Please Me,a€? by the Beatles. Robin figured,in a naive 60's way, that he'd form a band, get a record contract and support the family. Kurt once offered financial help (eventually unneeded) to Robin's younger brother who was having financial difficulties.
They were the middle act between Blood, Sweat & Tears and The Allman Brothers, so The Allman Brothers at that point was the warm-up act for Appaloosa. Warnings of a huge hurricane, perhaps the biggest ever, scared everyone away, and they wound up with no audience. The annual Friday afternoon Emerging Artists Showcase, always eagerly anticipated, ran into rough weather. The author, having gotten drenched twice while dealing with canopy leaks, disgustedly waited it out inside his car, trying to dry off.
Tom, the guitarist, and John, the bassist, remained behind me, helping to drive the song on its merry way.
Many months later, I would sit down to dinner with the group and learn how they formed and grew together. She also got involved in musical theater which led to studying and teaching theater, and later, a career in creative education.


One exchange captures the disconnect between where he was and what the world was offering: a€?I got one call back from a high school teaching position in religion that did not require a mastera€™s. Although he says it was a a€?horrible job,a€? it gave him access to the very first personal computer-based digital audio editing system. When he got there, he got hired by Digidesign, the developer of Protools, to support their sales team.
Mark needed something steadier with benefits, so he worked in house first at Sega of America and then at Crystal Dynamics.
At a concert at The House of Blues, Mark and Beth saw David Lindley playing a€?lap slide reggae on somethinga€¦ it had eight strings.a€? It sounded amazing and they were both mesmerized. When Mark got home from work and saw it, he thought, a€?God thata€™s wonderful!a€¦ Now I have to learn how to play this thing.a€? He picked up a copy of Rise Up Singing. One frequent visitor to the market was Jim Meigs, editor for Popular Mechanics and a blues harpist.
He was playing in a cover band and, as a change of pace, was looking for a country band to play with. That went well, and when the banda€™s second CD New Amsterdam was almost done (the first was an EP called In Spite of the Devil), and something was missing, John suggested that Rik come and add some lap steel. Beth sums up the banda€™s spirit in her own terms: a€?Filling our home with music and singing alongside my husband has been a beautiful gift, enriching our relationship tenfold. The annual Friday afternoon Emerging Artists Showcase, always eagerly anticipated, ran into rough weather.A  Torrential downpours almost completely washed the audience off the hill. Although he says it was a a€?horrible job,a€?A  it gave him access to the very first personal computer-based digital audio editing system. Mark had gotten burned out on music during his time in the digital game business and didna€™t go near it for a long time.
Hannah Hickok and Maggie Kraus, a lesbian folk-pop duo, look at all the facets of living a€” loving, losing, friendship a€” as if peering through a microscope, taking the facets apart and reassembling them with delicate, faerie fingers. In a perfect world, I think their articulate expression of lives so sharply felt and lived could change a listenera€™s DNA. Her parents were actors but her mother quit the theater when Hannah was born in favor of another career path. In addition to the exposure to Broadway musical theater tunes, folk revival classics like James Taylor and Joni Mitchell were played often. She was a member of the all-female and coed a capella groups and the chorus all four years of high school. After learning the basics, she and a small group of other campers performed for everyone in camp. Shea€™d coax boys into being members of her bands, selecting roles for them (a€?OK, Brian, youa€™re gonna play drumsa€¦a€?), regardless of their lack of experience. She hated the results and invested in an MBox, a portable computer recording interface (with mic and instrument ports) for computers.
Hannah ran the coffeehouse events each month with few exceptions, and with even more regularity when she was house president in her junior and senior years. So Maggie visited Hannah regularly at Hannaha€™s campus residence and found the vibe relaxed and inviting, more so than her own residence. At the end of the summer they completed a two-week Northeast tour, their first extended travel on the road.
After Maggie graduated they embarked on their first national tour, jumping from Portland, Maine to Nashville to Salt Lake City.
We were thrilled to include them in our late-night guerrilla showcase at the 2013 Northeast Regional Folk Alliance Conference and wea€™re eager to help them promote their new album. After they teamed up, they wrote a€?The Heart of the Audience,a€? a song about that concert.
The Everly Brothers' a€?Bye, Bye, Lovea€? came on the radio and Robin got so excited that he started turning the wheel side to side, almost taking the family over a cliff. He also wrote his autobiography, To Race the Wind, which was made into a CBS-TV movie in 1980. Marshall joined the band, got David into the band as well and it became the start of Pierce Arrow. At a 4th of July show opening for Aerosmith, the audience began throwing firecrackers at them.
However, the break in momentum destroyed the band's relationship with the record company causing record promotion and band morale to go downhill. David asked his friend if Robin could do half the set and then they'd do a couple of songs together. This paid extremely well and, begun as a sideline, had started to become their main endeavor. He describes it as a€?Neo-folk, written with tears running down my face, for Paul Newman's Hole in the Wall Gang Camp, sung with the help of Judy Collins and Rachele Cappelli and a choir of campers.a€? It's available for download from CD Baby and all proceeds go to the Camp. They were both entering a period in life where the gaps in their responsibilities seemed to offer another chance to work together. Spuyten Duyvil, our first Acoustic Live showcase act of the day, had been one of those acts in Fridaya€™s Emerging Artists Showcase. As the last strains of the blues harp finished the song, Mark swung back into the canopy to change his instrument for the next song. As soon as he saw Digidesigna€™s 24-track recording studio sitting empty all night, he quit his pre-med classes and ended up running their tech support department through the launch of Protools. He became chairman of the Interactive Audio Special Interest Group and helped in the development of standards for a whole lot of digital stuff that, described in a€?Markspeak,a€? is not easily translatable in this publication.
For a while it was just the four of them, on the porch, playing traditional songs and Marka€™s originals. Mark had gotten to know Lou, and knew that he wouldna€™t join unless he could a€?cut it.a€? Loua€™s ability to soften the sound to fit the banda€™s concept added the perfect touch.
Doing overdubs, without previous accompaniment on that instrument, Mark recalled, a€?he tore up this material.a€? Mark recalled saying, with a Cheshire cat grin, a€?This CD just got a whole lot better!a€? Along with Jima€™s Chicago blues harp, it helped to define what the band is about. Later that evening, the Friday night a€?Most Wanted Song Swapa€? was canceled due to wind-driven sheets of rain. As Beth explains it: a€?It wasna€™t until years laterA that we began to circle back to music again. Because Hannah and Maggie plunge a rapier of emotional honesty into the psyche, the listener might become a better person, more empathetic.
She performed in musical plays a€” her first was when she was 5 a€” and was in chorus all through grade school and high school.
He taught her how to play The Beatlesa€™ a€?Blackbird,a€? the first song she ever learned on guitar.
She always liked music and, like Hannah, she was exposed to folk revivalists James Taylor and Joni Mitchell.
There was supposed to be an a€?officiala€? staged performance at the end of the camp session, but it never happened. In 2001, Maggie was 11 going on 12 when, with her own allowance, she bought the Fender Stratocaster that she still occasionally plays.
In high school, tired of wrangling other students into supporting her, she returned to acoustic guitar and performed with two friends as an acoustic trio. Using her acoustic guitar, she began making her own digital recordings of songs using Pro Tools software. There was a large living room where everyone would gather together at teatime once a week on Fridays. Shea€™d roam the halls, listening for good voices singing, perhaps idly, that she might recruit for the a capella group.
Toward the end of Maggiea€™s freshman year, there was an event where graduating seniors were given a send-off banquet.
Later, in December, they opened for Dar Williams, an inspirational figure and thus, for them, their most notable performance to date.
Taking lessons while kids outside were playing ball left him "really torn,a€? he says. I saw all the luminaries of that period, including Billie Holiday.a€? At the same time, the Long Player format or a€?LPa€? with a full a€?albuma€? of songs took prominence over the smaller 45rpm singles everybody used to collect in the 50's. After high school, David attended Brown University, and while there, he was in one of those of student audiences. Levy replied, a€?They've just broken upa€¦ pick one!a€? David picked Mary, and Levy arranged for them to meet. It was here that a series of auspicious connections started and continued through his life. During his career as a lawyer, Krents worked hard to expand legal protection for the handicapped. Robin told George to knock it off because everyone swore after suffering through that humiliation their first year that they wouldn't engage in this practice.
Robin says, a€?My backbone lit up, and I thought, 'This is my music.' That moment of odd juxtaposition became Robin's rock 'n roll epiphany. The orchestra was faculty-organized and contained a number of prestigious a€?funa€? players.
David's daughter had just started college and Robin's son was approaching college-age also. A band known for its boisterous spirit, theya€™d played before the remaining dozen or so diehards standing in the rain. Nevertheless, it was a joy making music with my soon-to-be husband.a€? While still living in California, Mark and Beth got married, with the ceremony taking place back in Brooklyn.
However, the industry needed no translation and he received the first Lifetime Achievement Award from the Game Audio Guild. I learned how to play it and Beth and I did a lot of singing together.a€? Additionally, Mark found that playing the old traditional music in the book unlocked something in him and he started to write his own music. After Steve left for California, Mark wanted to find another bassist, happened to be perusing the site and saw Johna€™s information and extended an invitation.


A case in point is the stark beauty of a€?Curfewa€? from their second album, Muscle & Bone. Initially, shea€™d crank the sound up on a little amp, playing a€?awful musica€? in her bedroom.
At some point in high school, the computer crashed, taking hundreds of hours of recordings with it. When Hannah had settled in, she wanted to replicate the coffeehouses shea€™d experienced in high school, so she offered to organize a coffeehouse event at teatime one Friday per month.
We recommend a visit to their website, where their blog will provide more insight into their gentle, quirky humor as well as photographic glimpses of their adventures on tour. Circumstances led to the group's dissolution through the 90's, but they stayed in touch and recently started working together again full-time.
However, he was still immersed in classical music, spending more time playing the violin, learning concertos, playing with the orchestra. One was a friend from Andover, a top-notch clarinet player, a€?Dee Deea€? Pei, Dee Dee's father was famous architect, I.M Pei.
These guys are alive!a€? [and wanted to stay that way] After they were greeted with obscenities opening for Jerry Garcia, for the following gig they decided to play all their songs quickly in succession to prevent the boo-birds from gaining a foothold.
He also co-wrote a€?All Aboard Americaa€? for Amtrak and did jingles for numerous other clients. I was fearful that the clouds signaled a trend, but Spuyten Duyvil had some magic up its sleeve. Wea€™ve uploaded a video of the song to YouTube, that shows the band playing for Alternate Root TV. He studied ethno-musicology and comparative religions but spent most of his time in the electronic music studio recording songs with his band, music for films and music for modern dance. He recalled that, a€?I had written hundreds of pieces of incidental music and two or three lame attempts at pop music while I was in college.
These guys are really good!a€? Then, a€?Hey, they could really use harp on that song!a€? Then, a€?Wow! Hannah wrote the song and sings the lead vocal with a call-and-response from Maggie in a passage near the end. Her first performance was in sixth grade in a school function called a€?The Extreme Concert,a€? a faculty showcase she was allowed to enter. Nevertheless, she continued writing and performing at a lot of fundraisers, open mics, showcases and other school events.
Hannah, visibly moved, thought, a€?Wow, this girl knows what shea€™s doing.a€? The song is on their first album and Hannah stated that it has been a fan favorite and has won two songwriting awards. They were upset but not discouraged and committed wholeheartedly to continue playing together. Hannah wrote the song andA  sings the lead vocal with a call-and-response from Maggie in a passage near the end. What kept him going was that he discovered that he could play songs from the radio, an activity the teacher a€?highly disapproved of.a€? a€?She called it a€?junk,a€™a€? he recalls, a€?but I didn't care. We wondered aloud a€?what ifa€? a counterpart had been able to do something similar before he initiated the Iraq War.
Another was John Adams -- an even better clarinetist -- who would become a Putlizer Prize-winning minimalist composer. Six of the seven players took shelter in the front end of the 20-foot space created by our two adjoining canopies.
Some part of playing all that old-timey stuff flipped a switch and caused me to start writing stuff that had some meaning.a€? Beth was surprised because she was the one who had gotten into folk music at a young age and never expected Mark to get into the folky stuff. Although both couples were great friends, Tom was apprehensive at first because hea€™d been through some really bad musical matchups and knew there was a potential for a vast difference in their musical tastes and styles. They could really use harp on ALL their songs!a€? Mark remembered that a€?this guy would show up with his tweed case of harmonicas.a€? Jim would strike up conversations with Mark and casually drop hints about his musical involvement. Although both couples were great friends, Tom was apprehensive at first because hea€™d been through some really bad musical matchupsA  and knew there was a potential for a vast difference in their musical tastes and styles.
It might simply be an unrequited love song, but it could easily describe a heartbreaking failed connection between two people, one who is gay and one who is straight or who is latently gay but not ready to accept a same-sex relationship.
She took lessons in her first year of high school and then learned more on her own by figuring out how to play covers. Maggie quickly seized the opportunity to organize her own a€?unpluggeda€? coffeehouse events. This past summer, I attended the 2013 CT Folk Festival and saw them perform and introduce new contestants for the songwriting competition.
Once I learned, at 7 or 8 years old, that I could figure out the chords of the songs, then I was hooked. Once, a friend from camp called to invite him to play at a chamber music party at her house in Stamford, Connecticut.
Robin recalled, a€?He was like a lot of other kids at Andover, who were children of very successful people, who could never live up to the expectations of their fathers. They were asked to perform at Woodstock, but, due to an overly crowded roster, they were dropped via a last minute phone call. After a few shows, David and Robin asked Tom if they could play a couple of their own songs.
Robin put his music career on hold, entering a a€?semi-retirement.a€? For the next 13 years, he and David would get together once or twice a year to play at charity events, but that was the extent of Robin's participation.
Once I learned, at 7 or 8 years old, that I couldA  figure out the chords of the songs, then I was hooked.
She saw a a€?sexy, tortured musician guy who was anything BUT boyfriend material,a€? but was drawn to him nevertheless. As Beth described it, a€?The more inspired he became to play and write, the more inspired I became to sing again.a€? Mark drew upon the history of the area for the banda€™s name and for inspiration in his writing. However, when he heard gospel-tinged songs and saw no beer being consumed during rehearsal, he became afraid that the band was comprised of Bible-thumping fundamentalists. Hours were spent learning chords for songs she wanted to sing by researching guitar tabs on the Internet, figuring out how to play them.
This past year also saw them begin recording their third album, In the Company of Strangers, their first with Purebred.
This past year also saw them begin recording their third album,A  In the Company of Strangers, their first with Purebred. I wasn't getting a lot of it right, but it was good enough for me.a€? I told him that I wished that I coulda€™ve done that, and he immediately tried to assure me that I still could. An a€?old fat guya€? who lived next door came over with his clarinet case and opened it and asked if he could sit in.
They would never know achievement at that level and thus never have the love and respect of their fathers because they could never be as great. Get off!a€? One particular fan in the back was especially abusive and, finally Robin lost it. Several bars into the song, a€?Halfway Free,a€? it became apparent that the skies were benign, under the spell of a benevolent spirit. It wasna€™t until the band lugged a big batch of a€?crafta€? microbrewed beer (a band staple) to a campsite at Falcon Ridge that he relaxed and told them of his misperception. It wasna€™t until the band lugged a big batch ofA  a€?crafta€? microbrewed beer (a band staple) to a campsite at Falcon Ridge that he relaxed and told them of his misperception.
Later, he met Peter Yarrow and a€?Paula€? Noel Stookey, got to know them well and wrote songs for them also. They were a€?nicea€? kids and said a€?OK.a€? He played the Mozart Clarinet Quintet and was very good, but would end phrases in an unclassical way, playing the last note a little too forcefully.
That worked so well, that Tom said, a€?Why don't the three of you play as my opening act and then play as my band?a€? It was enormous fun and became the set-up for all of Tom's shows. That worked so well, that Tom said, a€?Why don't the three of you play as my opening act and then play as my band?a€? It was enormous fun and became the set-up forA  all of Tom's shows.
Beth remembers, a€?That one time was crazy but so fun!!a€? That would be the last time theya€™d play together for many years. He also introduced them to the next member, Rik Mercaldi, who he thought would be a good fit with the band.
Having gotten acquainted with Hannah in the Smiffenpoofs, Maggie had watched YouTube videos of her playing acoustic guitar and singing, so she invited Hannah to perform at her coffeehouse. Having gotten acquainted with Hannah in the Smiffenpoofs, Maggie had watched YouTube videos of her playing acoustic guitar and singing, so she invited HannahA  to perform at her coffeehouse.
The nice part of it is, he continued, a€?is that any time you learn anything new it gives you that same kick. The bandleader, Mark, and the lead singer, Beth, cautiously walked out into the sunshine, joining their drummer, Lou, who tastefully played a marching band snare with brushes.
That would be me [the pet].a€? He was joyfully surprised to discover that he enjoyed what Mark was playing. Hannaha€™s performance at Maggiea€™s residence would be the first time either witnessed the other playing live.
Mark played a small tenor guitar in a crisply strummed attack and sang and led the group through a sharp uptempo rhythm with tightly executed starts and stops.
Get your ass up here and I'll beat the shit out of you!a€? The rest of the crowd waited a few beats and then yelled, a€?Yeah! Beth did what she always does, belting out each stanza with the ferocity and abandon of a gospel rave-up. Like a smack addict, I play the track again and again, nodding off over and over in rushes of aching, sweet melancholy.



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