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Published 25.05.2014 | Author : admin | Category : What Do Women Want In A Man

Over the lifetime of your business you’ll spend thousands, and possibly millions, of dollars promoting your brand through advertisement, public relations, and sales materials. A good quality radio commercial costs about double a web design, but only has a lifespan of six months. A well produced TV commercial, even for a local company, will be four or five times the cost of your website and that doesn’t include airtime.
You could go super cheap with a classified ad, which gives you zero brand building power, and has a lifespan of twenty-four hours.
New content can be created more quickly and distributed more economically than prints, mass media, or even public relations. Clearly a website has some advantages over other methods of marketing, but a single reason that makes a website the ultimate marketing tool. Creating a website where your customers can easily share their experiences, a true back and forth relationship building experience between your customers and your company, terms traditional word-of-mouth into a bullhorn. By providing your email you consent to receiving occasional promotional emails & newsletters. New archeological finds shed light on the most misunderstood monument of the ancient world. One of the ancient world's most iconic buildings, the Colosseum is a monument to Roman imperial power and cruelty. To investigate, a subterranean archeologist explores tunnels beneath the Colosseum to discover how it could be flooded for naval battles. FABIAN KANZ (Medical University of Vienna): We had in our hands, for the first time, remains of real gladiators.
NARRATOR: And an architect pieces together clues of an elaborate system of ancient special effects machines.
Now, can scientists and scholars unlock the secrets of how and why the Romans engineered such bloody spectacles?
If one building best symbolizes the gore, glory and genius of the Romans, it is the Colosseum. MARK WILSON JONES (University of Bath): When the Colosseum was built, it had enormous effect, because of its size, status and presence in Rome.
KATHERINE WELCH: Watching fighting on a regular basis for entertainment gave the Romans a sense of who they were and infused them with a kind of military ethos that was instrumental in creating and maintaining the empire. NARRATOR: Ancient Roman authors, such as Martial in his Book of Spectacles, describe how that world order played out on the arena's stage. Most recently, the Colosseum was brought back to life in the film Gladiator, where tigers spring from out of nowhere to maul Russell Crowe. Architect Heinz Beste thinks that here, hidden from the spectators above, is where the Romans engineered their murderous magic.
HEINZ BESTE (German Archaeological Institute in Rome): We have to imagine this being covered by the wooden arena floor above. HEINZ BESTE: Through these drawings, it was possible to connect these clues and turn the whole puzzle into a system that can be explained. NARRATOR: Here, he finds impressions made by wooden beams, and, evenly spaced along the floor, are a series of round holes in concrete.
NARRATOR: A capstan is a large round pole that could be turned by workers to lift something. In Beste's mind, the pieces come together: support framing from the floor of the hypogeum to the floor of the arena, halfway up, a horizontal beam for workers to stand on, a capstan with poles for workers to turn, a channel where a cage could fit, and finally, a trapdoor that could lower to become a ramp leading to the arena floor. HEINZ BESTE: I believe, given the evidence, there must have been an ancient lift system here. NARRATOR: Throughout the hypogeum, Beste finds evidence of ancient backstage machinery, a total of 28 lifts.
To find out, he wants to construct a lift and trapdoor system, install it right here in the Colosseum and raise an animal into the most famous amphitheater on Earth. For years, a cast-aside stone was used as a place for visitors to rest, its importance completely unnoticed. ROSELLA REA (Director of the Colosseum): You can see with the naked eye that the holes are arranged in a regular pattern. The stone is the plaque from its dedication, and the letters spell out how the Colosseum was paid for, with booty. KATHERINE WELCH: One of the panels depicts the menorah, the Torah and the sacred table, carried by elite young Roman men.
NARRATOR: Following his son's conquest of Judea in the year 70, Vespasian is rich with gold and slaves. Vespasian needs a building that makes a bold statement that he, Vespasian Flavius, is nothing like the emperor before him, the infamous Nero. KATHERINE WELCH: After a ghastly year of civil war and the suicide of Nero, Vespasian did everything in his living power to ingratiate himself with the Senate and consolidate his personal power.
KATHERINE WELCH: In building the largest, most expensive building in Rome, a building for popular entertainment, it celebrated military power and put it into a frightening, exciting, chastening context. NARRATOR: Beste's drawings provide a skeleton of the system, but it's not clear how the lift actually works.
Umberto brings in structural engineer Giovanni Squillacioti and material engineer Flavia Campanelli.
FLAVIA CAMPANELLI (Structural Engineer): We have to create a system of pulleys and counterweights that works perfectly and synchronizes.
NARRATOR: Giovanni translates Beste's two-dimensional drawing into a three-dimensional computer model. Giovanni puts the pieces together and connects them, in his computer model, with pulleys, ropes and hinges.
NARRATOR: And building the lift and trapdoor system will provide a window onto a uniquely Roman pastime, in a uniquely Roman building, the amphitheater. MARK WILSON JONES: In general, the Romans took their building forms from the Greeks, but this is not the case for the amphitheater.
NARRATOR: a€?Amphia€? means a€?doublea€? in Greek, and a€?amphitheatera€? translates as a€?doublea€? theater. MARK WILSON JONES: Most buildings are rectangular, and that's a bad thing, because you can get action stuck in the corner. NARRATOR: An amphitheater for gladiator combat is uniquely Roman in form and function, exactly the symbol Emperor Vespasian needs to project his power and inspire Roman pride. MARK WILSON JONES: There's this strong connection between the unique shape of the amphitheater and the gladiatorial performances, the link with the military, the conquest of empire.
NARRATOR: In a forest northeast of Rome, Umberto is in search of the perfect tree for making the lift.
NARRATOR: To fell the tree, the team uses the same tools as the ancient Romans, the ax, the two-man saw and a wedge.
Carmelo Malacrino, an expert on ancient Roman building, knows what tools to use from images on the Trajan Column, erected just 30 years after the opening of the Colosseum. TULIO CLEMENTINI: We have to pay attention to the sturdiness of the cage, since it's supposed to hold lions and tigers. UMBERTO BARUFFALDI: The most difficult part will be getting the lift in without touching the Colosseum, because if we damage the Colosseum, I'll be chased out of the Colosseum. In its arches, stood 160 bronze statues, 16 feet tall, representing gods and heroes the Romans borrow from the Greek pantheon.
KATHERINE WELCH: Vespasian is giving the people, the a€?plebs Romana,a€? exactly what they want, Greek orders, Greek statues, but all with a Roman twist and pressed into the service of the conquering Roman state. As a final touch, there was a bronze chariot above the entry arch on the north side, where the Emperor could make his grand entrance, but Vespasian will never walk beneath it.
KATHERINE WELCH: What happened with the inauguration of the Colosseum is that Greek mythological executions entered the arena repertoire. NARRATOR: The Romans would reenact well-known Greek myths, such as Icarus flying too close to the sun and falling to Earth. What astonishes Martial is not the mass murder by drowning, but rather how it was pulled off.
Adriano Morabito, director of Subterranean Rome, has spent 10 years mapping the city's underground water system.
ADRIANO MORABITO (Roma Sotterranea): We were mapping all the sewage system, and, suddenly, we went into an older drainage system, and we saw light at the end. NARRATOR: Beneath the arena, Morabito finds evidence of four drains that emptied water from the Colosseum.
ADRIANO MORABITO: Some archeologists speculate that this could have been used to flood the arena.
NARRATOR: Morabito believes the 40 input channels and four drains provide the plumbing to stage naval battles. To put his theory to the test, he investigates how much water the Romans would need to flood the arena.
He finds four passageways leading into the hypogeum, wide enough to launch flat-bottomed boats into the arena. ADRIANO MORABITO: When the arena was flooded, the water was coming in here, and then the boats were starting floating up to this level, because otherwise the water would have gone into other rooms. NARRATOR: Morabito reasons the water could have been no higher than about five feet or it would spill over into other areas of the Colosseum. Multiplying that depth by the area of the arena, he calculates, with the floor removed, it can hold a million and a quarter gallons of water, equal to about two Olympic swimming pools. But can the drains empty that much water fast enough to stage sea battles and gladiator fights all in one day, as author Martial describes?
Morabito calculates that, with all four drains working, the Colosseum could be emptied in less than an hour. ADRIANO MORABITO: It was, therefore, technically possible for the emperor's engineers to flood the arena for it's opening games.
NARRATOR: Morabito believes the Romans had the plumbing and enough water to stage mock sea battles in the Colosseum, just as ancient texts claim. After months of constructing the lift and trapdoor system in the workshop outside of Rome, today, the pieces finally arrive: the 440-pound trapdoor, the 2,000-pound frame and nearly 1,000-pound cage and the capstan, weighing in at 500 pounds. GIOVANNI SQUILLACIOTI: Assembling the lift is a tricky process, almost as tricky as the design. NARRATOR: The crane has the power to raise the lift, but when its arm extends out over the Colosseum, too much weight could cause the crane to tip over.
GIOVANNI SQUILLACIOTI: According to our calculations, the cage weighs around 450 kilos, so that, once we take that away, the load will be lighter for the crane. To make it even more challenging, Cirillo has to maneuver the lift without even being able to see it, guided only by radio contact. Rosella Rea, director of the Colosseum, and perhaps the person with the most riding on the success or failure of the lift project, arrives at the critical moment, as the team steers the lift between the narrow, fragile walls of the hypogeum, with almost no wiggle room. HEINZ BESTE: Well, when you look at it as a drawing, when you imagine it in your mind's eye, or when you write about it, that's one thing.

In 1993, Austrian archaeologists uncovered a cemetery in a Roman city, in what is today Turkey. NARRATOR: These holes in the head, surely the cause of death, were almost certainly the result of a trident, a weapon unique to gladiator combat. The Roman author Suetonius describes seven gladiator characters, each with different costumes and weapons.
One of the most famous pairings is a Secutor, equipped with a short sword, shield and helmet, and a Retiarius, a€?the fisherman,a€? who fought with a net and a trident. NARRATOR: Among many of the gladiator bones, Kanz finds something even more remarkable, evidence of healing. FABIAN KANZ: What was quite surprising for us was the high number of well-healed injuries, which indicates there must be an excellent healthcare for these gladiators. NARRATOR: Ancient Roman texts offer a clue to one possible treatment, a special potion made from ash. Here, he sprays the liquid into an argon gas torch, where it burns with a distinctive flame. FABIAN KANZ: And the color of the flame changes, depending on the elements in the liquid, and therefore, we can find out about the mineral composition of the bone. NARRATOR: The flame turns from blue to a bright yellow, indicating that the gladiator bone has a high concentration of strontium.
FABIAN KANZ: It was mentioned in the historic texts that a kind of ash drink was substituted to the gladiators to remedy their pain after fighting.
NARRATOR: Kanz believes gladiators were given the Roman equivalent of calcium supplements to strengthen their bones.
FABIAN KANZ: The gladiators have been a big investment for the owner of the gladiator school, comparable to modern football or soccer teams. NARRATOR: It would have been extremely expensive if half the gladiators were killed at every event.
NARRATOR: They place wheels on the cage, handles on the capstan and, above the capstan, Umberto and Tulio install a spool for rope.
UMBERTO BARUFFALDI: We attach this rope here, and as it turns, the rope wraps around it and pulls the cage up. NARRATOR: The team connects the capstan to the cage with enough rope to stretch the length of two football fields.
GIOVANNI SQUILLACIOTTI: The ramp is very heavy, and the lever system we initially designed does not work. UMBERTO BARUFFALDI: We're facing the same challenges that the Romans had when they were originally making it. UMBERTO BARUFFALDI: The more I worked on this, the more I realized how great the Romans were, and how small we are in comparison. GIOVANNI SQUILLACIOTTI: The fascinating part is seeing this mechanism, which at first was essentially a static, seemingly simple structure, turn into something dynamic, a machine, simply by using these ropes, pulleys and human strength.
To find out, the team wants to release an animal into the world's most famous amphitheater, for the first time in 1,500 years.
The days of wild beasts in the Colosseum as hunters or hunted are, thankfully, long gone, and the wolf runs safely to his rescuer. Heinz, Umberto and their team have not only re-created an ancient Roman lift machine, they have created a time machine.
HEINZ BESTE: Imagine not just one lift here, but a whole row of them, one behind the other. Now, with the full-scale lift, we can begin to get a sense of just how magnificent the stagecraft must have been. KATHERINE WELCH: Gladiatorial games and associated violent spectacles needed absolutely no justification. NARRATOR: Romans attending the Colosseum were more than spectators, they were participants.
MARK WILSON JONES: Inside the Colosseum you have spectacle, you have energy, you have entertainment.
NARRATOR: Though Rome falls to the barbarians in 476, the Colosseum, like a victorious gladiator, still stands.
Translation of above: Permission from the Ministry of Cultural Heritage and Activities, Special Superintendency for the Archaeological Heritage of Rome. More than 2,000 years ago, the thriving city of Petra rose up in the bone-dry desert of what is now Jordan. Whether serving as Christian church, Islamic mosque, or secular museum, Hagia Sophia and its soaring dome have inspired reverence and awe. ROBERT OUSTERHOUT (University of Pennsylvania): Therea€™s nothing practical about Hagia Sophia. NARRATOR: Built nearly 1,500 years ago in Constantinople, modern-day Istanbul, Hagia Sophia has survived clashing empires, by transforming from church to mosque to museum. JOAN BRANHAM (Providence College): Hagia Sophia carries both the history of Christianity and Islam within its walls.
NARRATOR: Most remarkably, Hagia Sophia has survived centuries of city-busting earthquakes. To find out, a team of engineers is monitoring the building and constructing a giant model, placing it on a hydraulic platform and hitting it with powerful simulated earthquakes. Hagia Sophia, completed in the year 537, is one of the most magnificent buildings ever constructed. Its ceiling is a glittering golden dome that spans over 100 feet across and soars 180 feet above its marble floors. JOAN BRANHAM: Hagia Sophia influences a number of mosques, and it became a model for Christian churches, as well. NARRATOR: How can one building be a symbol for two different religions and continue to inspire people to this day?
MUSTAFA ERDIK (BoAYaziA§i University): The damage caused by the a€™99 earthquake is extensive.
As Istanbul braces for the next big one, a team of engineers searches for answers by building an enormous scale model and hitting it with a series of simulated earthquakes. Slanted floors and leaning columns may appear alarming, but A‡akti is most concerned about Hagia Sophiaa€™s core structure.
ESER A‡AKTI: The data that we obtain from here, is very important in terms of understanding the general structural behavior of this huge building. ESER A‡AKTI: These are the vertical vibrations on top of the arches on the east and west side.
NARRATOR: Two of the great arches are moving more than they have in the past, which could have serious implications for the future. ESER A‡AKTI: If an earthquake comes strong enough, I think there is a real chance it can receive damage. The idea is that wherever damage appears on the model, is where damage would appear on the actual building, giving engineers important insights to protect the real structure. While it may have worked for the Mustafa Pasha mosque, will it work with Hagia Sophia, a building larger, heavier and more complex?
ESER A‡AKTI: Each shake table has a capacity in terms of its dimensions and in terms of the power that it can create.
NARRATOR: The scale model is an ambitious project with no guarantee of success, but it pales in comparison to the challenge of building the real Hagia Sophia. Hagia Sophia is built at a major crossroad in history: the decline of the Roman Empire and the rise of the Byzantine Empire.
The Empire thrives, but in the early sixth century, a power struggle erupts, after a new emperor ascends the throne: Justinian. ROBERT OUSTERHOUT: Much of the city of Constantinople had been destroyed in the great riots, and this allowed Justinian the opportunity to, in effect, rebuild Constantinople and the church of Hagia Sophia in his own image. The internet is made-up of billions of websites covering almost any topic you could imagine. A website has advantages over print, radio and television, but that’s not even the #1 reason good companies should use their website for brand building.
A good custom designed website costs a few thousand dollars, and keeping it up to date and active costs a few hundred more.
As a thank you for joining us, we’re going to give you our PACE starter kit, for free!
Its graceful lines and harmonious proportions concealed a highly efficient design and advanced construction methods that made hundreds of arches out of 100,000 tons of stone.
Never has such a civilized culture poured so much of its wealth into engineering spectacles of death for the entertainment of its people.
A forensic scientist gives voice to gladiators whose battle-bruised bones bear witness to their own deaths. Then, with a team of engineers and builders, they reconstruct it, and for the first time in 1,500 years release an animal into the Colosseum. Over four centuries, the Colosseum was witness to an estimated million human deaths, and with up to 11,000 animals killed in a season, some species, like the Balkan lion and a North African elephant, were driven to extinction.
It was a carefullyengineered entertainment complex, designed to reinforce Roman world order. The a€?hypogeum,a€? the Greek word for a€?undergrounda€? is a maze of corridors and collapsed walls. Has Heinz Beste discovered the secret to how the Romans made wild animals magically appear in the arena?
This is quintessential war booty, the things that meant the most to the people from whom they were seized.
He buries Nero's palace, fills in his lake and on top builds the opposite of a pleasure garden, a public building for blood sports. And to enhance the blood sports, Vespasian builds in some deadly surprises, releasing wild animals into the arena.
It's connected to the capstan through a series of pulleys, so as the capstan is turned, the cage rises. He's here in Arles, in southern France, at an amphitheater constructed about 20 years after the Colosseum. The great crowds of 50,000 that came together in the Colosseum, were celebrating all of that. MALACRINO (University of Reggio Calabria): This column shows a fantastic series of tree cutting. Except, in the theater, they were bloodless, they were just actors; in the amphitheater, they were condemned criminals who were forced to dress up as Greek mythological characters and killed in the Colosseum. How could the Colosseum be flooded for sea battles in the morning, then drained quickly enough for gladiator combat in the afternoon? A network of 11 aqueducts carried clean water to Rome from mountain springs, some over 50 miles away.
And climbing to the top of the hypogeum, Morabito finds 40 channels that may have fed water in.

The storm dumps 800,000 gallons of water into the Colosseum, filling the hypogeum half way. But today those fragile walls are a part of a protected World Heritage Site that can't be altered. But then to see it full scale and to really be able to touch it, that's a whole other thing. Fabian Kanz, of the Medical University of Vienna, was brought in to analyze the human remains.
Strontium is a natural element with properties similar to calcium, a crucial mineral for building strong bones.
To protect their investment, the Romans began to provide gladiators with medical care, so they could live to fight another battle. Umberto's hard drives are filled with images he's collected of surviving pieces of Roman ships. Building the lift, I realized I was learning from them, learning directly from the ancient Romans.
As they push the capstan, the rope glides through a network of 12 pulleys, and the cage lifts up off the ground.
For a brief moment, raising the wolf opens a window onto the spectacles here in the Colosseum, 2,000 years ago.
And in the ancient sources, we find just the opposite, that they were believed to stiffen moral fiber.
These games showcased the power of Rome and reminded citizens that their prosperity was paid for in blood. The whole building is used as a vehicle for the demonstration of the power of the Roman world and how it came to benefit the populace.
An oasis of culture and abundance, the city was built by wealthy merchants whose camel caravans transported incense and spices from the Arabian Gulf. For 800 years, it was the largest enclosed building in the world—the Statue of Liberty can fit beneath its dome with room to spare. Its heavenly dome soars 180 feet high, supported by arches that inspire awe to this day for their strength and resilience. Its innovative, ambitious design and its monumental scale speak to people across cultures, faiths and religions.
There are only a few structures in the world that present different layers of history in the last 2,000 years. And it was devastating, leveling hundreds of buildings across the city, and killing thousands of people.
In the process, they will uncover the buildinga€™s strengths, and weaknesses, weaknesses that could ultimately threaten Hagia Sophiaa€™s survival.
That core structure comes down to a few key elements: the enormous dome, resting on four huge arches, which, in turn, are buttressed by four giant piers and two semi-domes. To investigate what danger Hagia Sophia might be in, A‡akti is turning to a tried and true technique, a seismic shake table test. In 2012, A‡akti teamed up with engineering team Eren Kalafat and Korhan Oral to analyze the structural integrity of the Mustafa Pasha mosque, in Macedonia. The core structure must be precisely scaled down for the shake table experiment to be accurate. The scale A‡akti wants to use will make the model too big and heavy, so she must scale down her ideas. He called the rebels, looking as if he was going to meet their demands, met them in the hippodrome, had the doors closed and had the army slaughter them all.
But during the riots, the rebels burn down much of the city, including an older imperial church, also called Hagia Sophia.
Frost & Sullivan considered the Desigo building automation system in combination with the outstanding business model and strategic positioning of Building Technologies in Europe to be market-leading. In its elliptical arena, tens of thousands of gladiators, slaves, prisoners, and wild animals met their deaths.
It spans nearly 2,000 feet around, soars over 160 feet high, and soon after it opened, in the year 80, it was decorated in gleaming bronze shields and 16-foot statues of gods and heroes.
The floor and all its wooden supports are long gone, but etched into the walls of the hypogeum Beste finds deep cuts and grooves. Two large hinged arms support the trapdoor when it's closed, and then swing down to open it.
Wilson Jones believes the Roman's innovation of the oval shape may be a direct result of the building's function, a place for gladiator combat.
And I think that really suits the action, and it helps it, helps it maintain its, sort of, excitement. It's really a sort of great day out to feel a Roman citizen and feel at the center of the world. It depicts the deforestation process for constructing new roads and the creation of campsites, as part of a military campaign.
But coins minted for its opening and carvings on tombs show how the Colosseum was likely decorated. Finally, framing the arches, were columns of various architectural orders: Greek capitals on the upper three layers, but on the street level are Roman capitals. He does leave a lasting legacy though: the largest building in Rome and an imperial dynasty.
The aqueducts provide the means to get water into Colosseum, and new discoveries are revealing a system to get water out of the Colosseum.
So their idea is to pre-assemble the lift outside the Colosseum and then drop it into place as one self-contained unit. And perhaps to compensate the audience for a reduction in the number of deaths, the Emperor added entertainment value by ordering more elaborate stagecraft. Among them, he finds what may be the key to heavy lifting, a simple device that dates far back in antiquity, the pulley. The more pulleys you add, the more the weight is distributed between them and the less force you need to lift the cage.
The trapdoor is lowered, the cage rises into place, its door opens, and the wolf emerges into the arena.
How could a culture as advanced as Rome justify the spectacular bloodshed that took place here? They carved spectacular temple-tombs into its soaring cliffs, raised a monumental Great Temple at its heart, and devised an ingenious system that channeled water to vineyards, bathhouses, fountains, and pools. How has it survived its location on one of the world's most active seismic faults, which has inflicted a dozen devastating earthquakes since it was built in 537? Normally, the lines are nearly flat, but when an earthquake strikes, therea€™s a dramatic spike. They built this large-scale model, placed it on a motorized steel platform, then shook it violently to simulate an earthquake.
If A‡akti chooses a scale of 10-to-1, the dome, at just over 100 feet wide, would be 10 feet wide on the model.
He embraces a new religion, Christianity, and Constantinople becomes the center of the Byzantine Empire, as Rome fades in importance. Theodora, his much younger wife and rumored ex-courtesan, persuades him to fight rather than flee. It is important for your website to be well designed and optimized so that you can build traffic.
In addition, the firm highlighted the Division's focus on the rapidly growing vertical market for data centers.
How did Petra's architects supply running water to this bone-dry canyon for bathhouses, fountains and pools? Ancient texts report lions and elephants emerging from beneath the floor, as if by magic, to ravage gladiators and people condemned to death. If the lift is still too heavy, the crane could topple over, crashing into the Colosseum and smashing the lift into the hypogeum.
But following a catastrophic earthquake and a slump in its desert trade routes, Petra's unique culture faded and was lost to most of the world for nearly a thousand years.
As Istanbul braces for the next big quake, a team of architects and engineers is urgently investigating Hagia Sophia's seismic secrets. Then, just as quickly, the Colosseum could be flooded with so much water that ships could engage in sea battles to the delight of the crowd.
Now, in a daring experiment, an archaeologist and sculptors team up to carve an iconic temple-tomb to find out how the ancient people of Petra built their city of stone.
Now, archaeologists and engineers are teaming up to recreate a 25-foot lifting machine and trap door system capable of releasing a wolf into the Colosseum's arena for the first time in 1,500 years.
Meanwhile, scientists using remote sensors and hydraulic flumes uncover the vast city and its sophisticated water system. The race is on to discover how these nomads created this oasis of culture in one of the harshest climates on Earth.
PlanningBeing on the early first stage of website development, you will need to know how and where to get started, which mistakes you can avoid straightaway, how much money you need and how to save.
A website can be created with a website builder, which means you will have a template to start with.
Design & ContentThis is the most pleasant part of a whole website building process, and also it is very important for a better user experience.
This task requires a good knowledge of writing, SEO rules and content marketing strategies from you.Creating Better Website ContentWhy is Quality Web Content Good for SEO?7 Steps to Successful Content Marketing4. Programming & DevelopmentWhen you have created an aesthetic part of your website, you should concentrate on its functional side.
If to compare, it is a house for your lovely pet: would you let it live in a bad place?You need to examine all hosting types existing, their terms and prices.
Domain name makes your business trustworthy and professional, plus you build your brand awareness with an original domain. Testing – An Essential Stage before LaunchIf you want your website to be excellent, take your time to test it from up to bottom.
Don’t think someone of your visitors will tell you something is not working, they are more likely to leave your page forever.
Besides, test your buttons, links, feedback forms, maps, video or slide presentations, etc.

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