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A blistering version of a€?Stagger Leea€? occurs seven tracks deep into Danielle Miragliaa€™s most recent album, Box of Troubles. So it is that Danielle Miraglia puts her own stamp on a€?Stagger Lee.a€? Of course, ita€™s not her own composition, but surely a cornerstone of her repertoire. An interview with this refreshingly affable, down-to-earth performer reveals how she became the player and writer she is today. While her musical aspirations took a back seat during her college career, there was still some dabbling.
When Danielle left Emerson, she felt lost for a while, describing herself as a€?unfocused.a€? She wasna€™t able to translate a degree in writing into meaningful employment. Danielle had a fantasy about moving to Arizona and starting a whole new life out there, getting a fresh start. Her first songs, coming off the dissolution of a relationship were (again) a€?cheesy breakup songs,a€? she said. At that point, she was a€?writing a ton,a€? and within about six months she enlarged her repertoire to six decent songs and another six months to beginning her first recording.
In addition to the strong, steady thumb beat on the bass strings, Danielle also uses a hollow foot stomp, sometimes amplified. I asked her about the guitars shea€™s favored and she mentioned that the Yamaha her boyfriend got her in high school was a nice beginnera€™s guitar (he took it back when they broke up a€” song opportunity!). Danielle feels that her first two CDs were of little consequence a€” a part of the learning process a€” and that her recording career started in earnest with the album, Nothing Romantic. In a€?You dona€™t Know Nothin,a€™a€? a reaction to some right-wing radio talk shows, Danielle flashes metaphoric sharpness.
The a€?eight oa€™clock shadowa€? then displays his own ignorance, condemning abortion rights marchers on the bara€™s television.
Although I first got cold-cocked by a€?Stagger Leea€? and a€?Loud Talkera€? from Daniellea€™s latest CD, Box of Troubles, there are other standouts.
Wea€™re ecstatic that wea€™ve caught up to this supremely intelligent and talented performer. Danielle has had purists disagree with her about not following original styles note-for-note. As a lightning bolt of illumination splits the sky, a thunderclap of enlightenment follows.
Somewhere around 1999 or the early 2000s I went with a group of co-workers to an early show at the now-defunct, sorely-missed Manhattan nightclub, The Bottom Line. In an effort to pin down the exact date of the show, I checked the "Timelinea€? on the Bottom Line website that lists the performers for each show. Although he couldna€™t answer my question (a€?There were so many appearances!a€?), he was eager to weigh in with his own recollections and praise. Later, her father graduated from Rutgers University and began teaching in the New Jersey public school system.
At nine years old, Janis heard Odetta for the first time on a Harry Belafonte television show. In junior high, shea€™d go to Greenwich Village, meeting with others from camp, to stand around the fountain in Washington Square Park and sing.
Her father subscribed to Broadside Magazine which published songs by people like Bob Dylan and Buffy Sainte-Marie. Her recording career got its rocket-propelled start after she wrote a€?Societya€™s Child (Baby, Ia€™ve Been Thinking)a€? based on her observation of an interracial couple.
The psychological battering from pressure to constantly write, tour and record, and the disintegration of her family took its toll.
While we cannot be sure that poem was written exactly during that time, it seems to capture her frame of mind.
She played a tough weeklong gig in California, but realized that the weather and atmosphere was what she needed. The album Stars (1974) was followed by her biggest success, Between the Lines (1975) which contained the song a€?At Seventeen,a€? another revealing tract that cut so deep, she was initially afraid to play it to audiences. In 1982, feeling depleted, Janis walked away from a multi-million-dollar record deal with Columbia which had three more albums contracted.
In 1986, her new publisher MCA suggested that Janis work with Nashville writers to improve the marketability of her songs. The years of being a workaholic caught up with her and she became ill with Chronic Fatigue Syndrome (CFS). As she finally regained the upper ground in her battle with CFS, Patricia Snyder came into her life, bringing her physical and emotional comfort. The initial album coming out of this period, Breaking Silence, would be her first in ten years. The book describes in detail the relationships Janis has had, over the years, with both men and women.
Janis had been approached by the gay-oriented magazine, The Advocate to write a monthly column for them.
After her moma€™s death, to honor her, Janis established Pearla€™s Foundation, a scholarship fund to help people in their efforts to seek higher education, Her mother had forged ahead and graduated from Goddard College, in spite of her illness, fulfilling a lifelong dream. Janisa€™s most recent albums, God and the FBI (2000), Billiea€™s Bones (2004) and Folk is the New Black (2006) show that her writing is still razor-sharp. Those of us who have been fortunate to stand face to face with Janis will never forget the steady gaze behind which sits one of the formidable minds of our generation.
I was shocked to discover how little I actually knew about Janis Ian.A  It wasna€™t until I picked up a copy of her autobiography, Societya€™s Child, that I understood the full depth of Janisa€™s connection to folk music. The FBI would shape her early life.A  Her family was already being scrutinized before she was born.
The book describes in detail the relationships Janis has had, over the years, with both men and women.A  What was horrific about most of Janisa€™s earlier relationships was the amount of betrayal her partners displayed.
Kate Hudson's on the cover of the October issue of British Elle.In the interview she doesn't gush about her new boyfriend, but she does have this to say about Muse frontman Matt Bellamy -- "He's lovely."She adds, "My favorite Muse song? Tom Bianchi, her husband and producer on this album, uses an electric violin, a blues harp and a sinuous lead electric guitar with a wah-wah pedal to sustain the cloud of doom that hangs over this historic piece.
Her family lived in Everett until she was 8, then moved to nearby Revere, where she grew up. As kids will, she and some friends tried to form a band, even though no one actually played an instrument. She took a couple of lessons from the aforementioned frienda€™s father who was going to teach her friends to play their instruments. Using an acoustic guitar, shea€™d get together with a friend back home to play and write songs. Her first stop was the open mic at The Kendall Cafe in Cambridge (now closed), just to a€?check it out.a€? She saw people who were very advanced and some raw beginners. However, a€?They had grit to them.a€? Although she cringes when she looks back on her early writing, she still feels that the songs werena€™t all that bad considering her level of development.
She was a fan of the late Janis Joplin and would belt her songs out, Janis-style,without giving thought to vocal dynamics or microphone control. Additionally, she studied the Stefan Grossman transcriptions (written and audio) of the guitar of Mississippi John Hurt.


Shea€™s been told, a€?If youa€™re not doing it exactly the way they did it, youa€™re not doing it.a€? For Danielle, ita€™s all about enjoying it and getting into the a€?feela€? of it [we agree]. Although shea€™d seen performers like Chris Smither use this sort of device, she never intended to copy it. She later got an Ovation, then a Guild and then found her first love in a Gibson [lots of blues in those Gibsons]. Thata€™s about when we made her acquaintance (as well as taking note of her impact at the 2009 Northeast Regional Folk Alliance Conference). She uses a nimble Mississippi John Hurt-style fingerpicking pattern for this philosophical gem. Tongue-in-cheek, she asks for a drum machine, and, in a reference to Robert Johnson, Tell me where the roads cross, Ia€™m ready to sell my soul.
Ita€™s a plus that finding out how good a writer she is now reinforces our first impression of a highly energetic blues artist.
Lured by a bill that included Tom Paxton and Janis Ian, we knew we were in for an evening of top-notch folk music. She took center stage and began playing fingerstyle guitar with an almost impossibly pristine sound.
I know that earlier in my life -- through my 20s possibly into my 50s, I viewed her as a pop artist with a social conscience. A precocious toddler, Janis writes that her father used to say, a€?Janis started talking at seven months and never stopped.a€? At two-and-a-half years old, she persuaded her father, also a master music teacher, to give her piano lessons. The FBI would contact each school administration every two years when hea€™d be up for tenure. With her fathera€™s guitar perched on her lap in the back of the family station wagon, she played it for them.
Janis made a lead sheet like those in the magazine, added the melody, chords and lyrics, put her name and phone number on the page and submitted a€?Hair of Spun Gold.a€? Two months later, her father got a call from the editors. Janis took guitar lessons with the Reverend Gary Davis, and after the lessons morphed into social occasions, began hanging out with him.
She played regularly after that, which got her noticed and led to a meeting with legendary producer a€?Shadowa€? Morton. Chapters dealing with their separation and divorce and Janisa€™s emotional upheaval are particularly sad. All the Seasons of Your Mind (1967) sold enough to make the national charts, but followup albums, The Secret Life of J.
Harrowing passages describe how a diligent psychotherapist there, Gerry Weiss, pulled her back from near death and personally nursed her back to health.
It was provoked partly by a critic referring to her, still a teenager, as a a€?washed-up has-been.a€? It was also partly inspired when she heard Don McLeana€™s a€?Vincenta€? for the first time. She needed to get off the merry-go-round to explore other areas of life, to regenerate her resources.
She had talent and wrote deep songs but Nashville writers had the craft to make them more commercial. After she declared her homosexuality, he stood by her and issued an authoritative warning to anyone who might give her trouble: a€?Dona€™t mess with hera€¦a€? He would bolster her confidence in her guitar playing, stressing her individuality. Tragically, her mother, Pearl, had become ill with Multiple Sclerosis and would decline over a 20-year span. She refused, saying a€?I dona€™t write prose,a€? but Pat and an editor provided the idea that Janis would poke holes in the stuffiness of its image and that concept sealed the deal. Janisa€™s father owned every copy of The Magazine of Fantasy & Science Fiction ever printed. Janisa€™s stint as a columnist for Performing Songwriter plumbed her depth of knowledge of the music business. An initial auction of Janisa€™s own personal effects, held on the internet, brought in a total of $66,000. I also became aware of the route by which she developed her sense of social justice, and the emotional, physical and financial hurdles she has overcome.
Her father, then a chicken farmer, was inexplicably picked up by FBI agents after attending a meeting about the price of eggs.
Her marriage to her husband descended into physical abuse, psychotic behavior and Janisa€™s near-murder at his hands. She's covered the Oscars, the Emmys, the Golden Globes, and has interviewed stars ranging from Tom Cruise to Rosie O'Donnell. Danielle had a Casio keyboard; a frienda€™s father played guitar, so it was assumed that hea€™d show others in the group how to play their instruments.
There were writing courses of every kind, including journalism, childrena€™s writing and poetry. She figured, a€?OK, I can fit into this mixa€¦ I can pull this off.a€? She signed up to play the following week and found that others were very polite, offering encouragement. It wasna€™t until she got to the open mic of blues master Geoff Bartley at the Cantab Lounge that her mistakes were pointed out.
The practice really evolved from using a foot stomp on stage to keep rhythm and provide percussion.
It actually took another year for her to digest and learn what Geoff had taught her.A  a€?It was like I got all the food and then I processed it,a€? she told me. He sounded amused as he recounted the reactions of colleagues when they discovered how well Janis played guitar. My longest-standing memory was (and still is) the way I would get choked up listening to a€?At Seventeen,a€? especially during the ache-filled refrain, a€?a€¦who call to say, come dance with mea€¦a€? Ahh, yesa€¦ Ia€™d had my share of a€?wallflowera€? years and there were more than a few missed dances. It ended a year later because, at three, she was already getting into arguments with him over interpretations and fingering.
In kindergarten she objected to learning her a€?ABCa€™sa€? because she already knew how to read.
Theya€™d see interracial and gay couples while being totally ignored by adults -- a completely opposite atmosphere from conservative New Jersey. She did one more album, Uncle Wonderful (1983) with an Australian publisher, then walked away from the music business. She discovered that her a€?accountanta€? (a bookkeeper without a proper CPA) had embezzled her money and falsely represented her income tax payments. She teamed with accomplished songwriter Kye Fleming both creatively and romantically and found some success and some brief happiness.
At the time of the printing of her autobiography, $300,000 had been raised.This preceded, but could have functioned as a road map for eBay. Hunger (1997), completed after a difficult studio experience and filled with glittering gems from start to finish, has become a personal favorite of mine. Janis has finally found happiness in a stable 20-year relationship, a testament to her resilience and intelligence.
Ann knows entertainment news is best served as a hot dish to friends and she's hoping you'll dig right in. She credits two older boys, her upstairs neighbors, in helping to add to her musical knowledge. She went back again and again and found a€?a whole new crew of friends.a€? They were a€?on the same wavelength,a€? she said.


On a gig where she needed to use a box for added height, she found herself rhythmically tapping on the box and liking the sound.
Although she told me that her husband Tom hosts it now, shea€™s still listed as the host on The Burren website. Danielle developed a a€?roguea€? mixture of what Geoff taught her and the Grossman transcriptions. Then, Gary insisted that Janis open for him at a Gaslight Cafe gig and the owner reluctantly agreed after Gary threatened to walk out.
Shadow disagreed with her a€?Baby, Ia€™ve Been Thinkinga€? title, so when her first record came out, it became a€?Societya€™s Child,a€? with the prior title in parentheses.
Although it brought a halt to her relationship with Peter, they remain friends to this day. The albums Aftertones (1975), Miracle Row (1978), Night Rains (1979), and Restless Eyes (1981) followed. Janis found it liberating to study in areas, such as ballet, where she had no innate ability. She attended her first Worldcon, the largest gathering of science fiction writers and fans, at the prodding of two of her heroes in the genre, Mike Resnick and Anne McCaffrey. Her article on a€?The ABCs of being the Boss,a€? geared toward musicians, contains a wealth of helpful information for anyone in a supervisory capacity. The agents would hang around, always recognizable in their black suits and ties, even in the heat of August. The albums Aftertones (1975),A  Miracle Row (1978), Night Rains (1979), and Restless Eyes (1981) followed.
Danielle and another friend, Brenda, who Danielle said, a€?has a twisted sense of humor,a€? would write songs with ridiculous lyrics.
For Danielle, they included John Irving (for his humor as well as his dramatic flair), Tim Oa€™Brien (Vietnam War novelist, not the bluegrass performer), satirist David Sedaris and Lorrie Moore (a€?humorous and poignant short storiesa€? a€” Wikipedia). There was an epiphany of sorts in that they both realized life is too short to waste on doing things you have no love for. Later, she asked a friend to follow her design to make a hollow device like a footrest that she could attach to her stool. Also, she mentioned that it seemed less desperate than standing when playing in a noisy bar.
For Danielle, they includedA  John Irving (for his humor as well as his dramatic flair), Tim Oa€™Brien (Vietnam War novelist, not the bluegrass performer), satirist David Sedaris and Lorrie Moore (a€?humorous and poignant short storiesa€? a€” Wikipedia). She finds it fundamentally impossible to repeat someone elsea€™s stylings note-for-note a€” shea€™ll develop her own version instead.
After her mom had a talk with the principal, Janis was allowed to read while the rest of the class did their drills. She practiced, listening to all the records in her parentsa€™ collection, plus some borrowed from family members. A huge success in Japan, she became an iconic star and was (and still is) treated like royalty there.
She also studied acting under Stella Adler, who became a close friend and mentor until Stellaa€™s death in 1992. An avaricious IRS agent appropriately named Granite seemed to take sadistic pleasure in erecting barriers to Janisa€™s attaining any kind of solvency, despite her complete cooperation.
After the relationship ended, although Kye, a Nashville native felt awkward, Janis felt that Nashville had become a€?home,a€? and decided to move there permanently. They pushed her to involve a number of other authors to contribute to Stars, a compilation book of short stories based on her songs. Also available is the article Janis wrote for Performing Songwriter, on the free downloading phenomenon, a€?The Internet Debacle.a€? When she reported that downloading actually increased sales, not the opposite, as the record industry had charged, she was called a traitor.
She practiced,A  listening to all the records in her parentsa€™ collection, plus some borrowed from family members. Peter became her love, her rock, an oasis inside of the whirlwind.A  On the music trail, she became friends with stars such as Janis Joplin and Jimi Hendrix, who tried to protect her from drugs, but the proximity led to some experimentation. Matt and I are just learning about each other and it's wonderful."But she's not thinking about marriage.
However the world views her as a blues singer, shea€™s well-prepared for original songwriting. Danielle also studied from an instructional DVD of Mississippi John Hurta€™s guitar style by Happy Traum and John Sebastian that combined video and tablature transcription. A local librarian helped Janis a€?retain her sanitya€? by allowing her to take out more books than the usual allotment and picked out more advanced works for her to read. At the Village Gate, she played alongside some of her heroes (sitting between Tom Paxton and Len Chandler) and, after each song, she got a standing ovation. Although she still wrote, and had songs covered by others, she issued no recordings for around 10 years. After sixteen years, the magazine has just ended its publication, but for eight years, Janis imparted her wisdom to the songwriter community.
She started making some of her songs available as free downloads and watched her sales shoot up. When she returned home, Danielle began attending open mics, kick-starting what would become her career. I would be putting together help desk manuals, and then Ia€™d write a song about how miserable I was.
In school, her fellow students at the High School for Performing Music and Art were respectful. The male of the species got off easy this time, but that doesna€™t mean she hasna€™t been watching. Then Ia€™d tell someone to re-boot their computer, which is usually the solution to every problem. We sat there slack-jawed as Janis unleashed a barrage of guitar histrionics that crossed a line -- to borrow a phrase from Star Trek -- where no folkie has ever gone before.
Once a week, past her bedtime, shea€™d secretly listen to a folk show out of Newark at 10pm, a towel stuffed under the door to avoid being heard.
In the first tale, a€?Come Dance With Me,a€? Janis herself makes a thinly veiled appearance. She tinkered around with some acoustic fingerstyle guitar while in high school, copying selected songs by Randy Rhodes and the band, Heart.
Jealous of her success, they penalized her for absences resulting from performing, even though she got good grades on tests. Janisa€™s own story, a€?Second Person Unmasked,a€? not unsurprisingly deals with a shifting sexuality and the issue of powerlessness.
I think a lot of times people are terrified of love and stop themselves from experiencing it.
Asked in a later interview if she had any regrets, she replied, a€?Not for an eighth of a second.a€? She always knew there was no place for a person like her in the American school system.



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