How to make a website design 99designs,make best powerpoint presentation ever,site freegate mac - Easy Way

Published 20.08.2014 | Author : admin | Category : What Do Guys Really Want In A Woman

To be effective, a user interface design needs to be creative, easily seen or accessible and attractive.
Here, we are sharing with you some of the coolest user interface design tutorials for you to be able to make your own UI for any project where it can be used. This tutorial will show you some very easy techniques, using gradients and layer styles, that we can use to produce nice subtle 3D effects in our web designs. This tutorial will show you how to make a semi-transparent Vista-inspired menu using gradients, shadows, and blurring to produce a stunning modern effect. This tutorial will teach you how to create your own widgets, and you’ll be able to use those icons for your Websites or Avatars.
Learn how to achieve acutely life-like telephone dial buttons in Photoshop using shape layers and layer styles! In this tutorial, you will learn how to use a combination of layer styles, textures, and a bit of manual drawing to create a Winamp-style mp3 player skin. Design something along the lines of a Royal Interface graphic design in this Photoshop tutorial. This tutorial you will learn how to create a hi-tech style button that can be used in splash pages, applications or Powerpoint presentations.You will use Illustrator to create complex vectors and Photoshop to develop realistic effects.
In this photoshop tutorial you will create a simple rounded content box perfect for gaming related websites. Learn how to create a simple three-dimensional icon of a paint bucket, complete with paint splotches, with this colorful tutorial.
Learn how to make this sleek layout with a carbon fiber background that would look great as a landing page for a website.
Premium tutorial for PSD Tuts members on how to create a retro style electronic safe lock interface using both Photoshop and Illustrator. This tutorial will show you how to create the Glass Shelf Dock used for the operating system.
Create a really easy and very nice 3D effect to be used in either buttons and icons or elements that need some depth. This is a tutorial about creating the navigation of this piece and not about creating the Volkswagen logo.
In this tutorial you’ll learn how to design a sleek audio player interface in Adobe Photoshop. Learn how simple it is to texturize objects using different fusion mode layers, adjustment layers, color tweaks and some very simple filters in Photoshop. But more than just engaging, we want our users (both old and new) and even our brand loyalists to be truly engaged in their browsing experience while exploring around our page. What we’re most concerned about is how we’re interacting with their eye movements around our page. For example, every reader has a personal favorite color (or several), a preferred interface, a type of button he is more inclined to click on, etc. Short answer: We need to approximate with successful trends, align them up with our content and branding style, and learn to trust our artistic instincts. Taken from Brandon Jones’s piece on web design, the wireframe below draws out the pattern our eyes would follow according to the text positioning. We want to do more than just follow their eye movement, we want their eye movement to bring excitement, engagement, and an appeal to keep scrolling downward.
That being said, TNW points out two well-known publishers are great role models for milking the F factor for all its worth — I assume you’ve heard of The New Yorker (Conde Nast)? By placing two large images beneath their emphasized header, the New Yorker ensures that it’s logo title is the first item to catch the reader’s eye. In the last year or so, certain web page layouts have become very popular and successful, chosen by UX pros to convey a certain ‘aura’, or vibe via their published content. TNW (Jerry CAO) actually tells us what to look for in minimalist navigation, explaining the goal of each feature, and how it can drive your content in the direction you need it to. By surrounding your succinct text with loads of negative space, you’re actually drawing the user’s visual flow to your text as much as possible.
As you notice, Medium’s minimalist design also illustrates large and vivid photography, dramatic typography, beautiful contrast, stupidly simple navigation, and lastly, flat design. When choosing a featured image for an article or synopsis, decide what the most important element of the image is, and make sure it’s visually emphasized more than any other element. This can mean cropping, changing the image contrast, or simply placing the image on a surrounding white backdrop.
Creativebloq tells us that it’s “a new way of presenting longform journalism through art-directed web design.” But wait, it’s so much more than that.
Showing the standard ‘words and pictures on a page ’ layout who’s boss, the Snow fall feature still maintains the print format, yet creates a multi-chapter series of content, integrating video, photos, and graphics. Snow fall designs often open with a full-screen video on loop (not to be mistaken for a GIF). The multimedia feels natural and serves a purpose, it’s not just a hodge podge of funky features spread out on a page.
Before we continue to rave about Snow fall design features, check out some super-impressive examples from the Guardian.
Some may describe this Snow fall design as a “bold leap into an experience-based feature”, others may point out that it’s also a long-form story online, as well as a Parallax element. As a reader, while I read the minimal yet poignant descriptions of the Holmes family’s experience, I share their experience visually, as I’m captivated by the lifelike visuals. When you’re publishing a vivid story for your reader base, choose a visual effect that makes the story come to life.
Within Snow Fall design storytelling, there can be so many more design tactics that are embodied in the overall design. On ESPN you can clearly see that as you scroll down, you glide through the text on the right side, yet the image on the left stays still. Modular scrolling at its finest, is a form of motion design with infinite scrolling, with fade-ins keeping viewers engaged, in a world of (seemingly) infinite content.
Parallax scrolling actually uses CSS to make different layers on the web page move at different rates. All of these examples we just listed are forms of ‘Longform scrolling’, or ‘Longform journalism’ as some like to call it. When choosing how to weave an effective storyline into an ad, we often aim to show viewers a real-life scenario. Whether it’s an outcome of mobilegeddon or not, the content and media industries know through and through that their web content needs to be super duper mobile friendly. When adapting to a mobile interface, we’d hate to forego all of our eye-catching graphic abilities. Firstly, the headline stays still, but as your scroll down the article, the text scrolls with you. Especially on a mobile screen, an extra push to stay focused on an article’s title and headline while flowing through the story’s text is always appreciated. Another microinteraction that has a macro effect on the content’s storytelling is the ‘READ THIS’ box on the right. When you have 17 minutes left on your 32 minute train ride, you can read wisely, and give yourself enough time to skim through each article without losing time to skim through the others. In essence, it’s a simple vertical menu, but it targets the choices that are most important to the reader, and brings them the results that give them the best version your story. If your ad demands a response, make the selection process crystal clear and straightforward. Another popular choice for mobile-minded web pages, the card layout, placed on a grid of ‘bite-sized chunks’ of content.
They’re like condensed web pages, telling you the facts you need the most: a title, a user name, a picture, and various icons.
If you can dramatize your content so that all the info you’re publishing stands its own ground, why stand in the way?
It’s pretty clear that there’s no shortage of special effects for publishers who want to grow readers by the dozen.


To be the first to know you can subscribe to our mailing list for email updates from our blog! Orlee Gillis, a Content Wizard at Roojoom – The visual storytelling platform that let’s marketers create engaging Content Journeys to increase content ROI, no IT or design needed.
The fictional client I’ve made up for this tutorial project is a small eyewear brand named OPTIK. The design we’ll be creating as part of this tutorial begins on paper as a sketch along with simple notes. Fill the background with black, then use the zig-zag pattern from my Line25 pixel patterns freebie to fill a new layer. Draw a selection in the centre of the document measuring the full width of the grid and fill it with black on a new layer. Open up the layer styles window and alter the Drop Shadow setting to produce a soft grey glow from behind the content panel. Paste in the OPTIK logo and align it to the grid, spanning three columns and aligning the baseline of the text to the baseline grid. Give the logo some cool treatment in the form of a subtle grey gradient and very light Bevel and Emboss effects to give a basic metallic style. Use the text tool to type out a navigation menu along the same baseline with each item aligning to a column.
Draw a thin selection across the width of the content panel and fill it with a subtle gradient. Paste in the first of the so called product shots, which is actually a stock photo of a cool fellow in some sunglasses courtesy of ThinkStock. Draw a selection and create a layer mask to hide the unwanted portions of the image, leaving a letterbox style feature panel.
Use the Rounded Rectangle tool to draw the basic shape of a button, then bring it to life with a gradient and fine 1px stroke. Open up the layer style window and give the boxes a subtle grey gradient and 1px stroke to define their outline. Import an image that relates to the Sun product range and clip it to size with a layer mask to fit within the little content box. Type out a brief descriptive paragraph that relates to the product range, followed by a call to action link in the usual blue anchor colour.
Finish off these little content boxes with images and content relating to the Sport, Tech and Special sections. Underneath the main content panel use the text tool to lay out some typical footer content such as copyright notice, secondary links and a back to top anchor. Access All Areas members gain instant access to 100s of premium design resources & source files. Hey Chris I really love your designs and it is really wonderful to learn from positive people like you. The issue I see is that when you put all your text right up against the gutter, if you then add a box with text inside it you have to move the box text off the grid. This tutorial covers part one of a multi-part series where we’ll go through the process of building a stylish design portfolio website. The website we’ll be creating features a nice and clean layout and makes use of a contrasting header area to draw in the user. Right click and transform a selection to 960px, then draw guides to highlight the centre and each side. Use the rounded rectangle tool to draw a content area, but leave the edges around 10px short of the guides to allow for a Drop Shadow effect to be added. Make copies of the button to either side of the logo, then add text to each navigation item. CMD+click the thumbnail of the of the white content area, then ALT-drag across the lower portion with the marquee tool to leave a shorter selection. Use a black to transparent gradient to draw a small shadow along the bottom edge of the header.
Draw a button shape using the rounded rectangle tool, then use the layer styles window to begin sprucing it up. Give the button a beveled appearance by manipulating an Inner Glow into a thin light grey border, then add a 1px dark grey Stroke.
Finish off the button with a line of text and adjust the settings of the Drop Shadow effect to create an inset appearance. Add a Drop Shadow using Photoshop’s layer style effect then right click and select Create Layer.
Use the typography from the header titles on headings in the main content area and write out the main body copy with a nice large sans-serif font.
Draw a grey rectangle as the base of a portfolio item preview, then give a rounded rectangle an Inner Shadow to create a subtle button element.
Finish off the portfolio item with a thumbnail with the project being showcased, then add a text link using the font styling from the navigation menu. Group and duplicate the elements that make up the portfolio item then swap out the thumbnails to showcase your latest work. The Portfolio page can be constructed by duplicating the portfolio items and replacing the thumbnail for each of your design projects. Use a range of rounded rectangles to lay out a typical contact form for the contact page, then list out your favourite social website along with icons. Don’t forget to stop by over at Line25 to learn how to take your PSD concept and turn it into a fully working HTML and CSS website. I’m still on the evolutionary road as a designer and at the moment it is mainly 3D design or design for print.
As with everything it takes some initial time to learn the basics but you’ll get the hang of it no doubt.
Amazing work there, it is such an art(no pun intended) to get wonderful web design right but you have nailed it with this one. I especially like that you’re following this up with how to code into a WordPress theme, awesome, thanks. Here, you will find tutorials on how to make navigation menus, GUI icons, buttons, skins, and other important elements.
This Photoshop layout tutorial will show how simple shapes and gradients can create elegant designs. I guess you could say part of using your artistic instinct means being flexible, in many ways.
Back in 2006, Jakob Nielsen tells us that users often read Web pages in an F-shaped pattern: two horizontal stripes followed by a vertical stripe. Standing out among the images, no reader is gonna forget which publication they’ve landed on.
Web page designs create these impacts by building wireframes that maximize key usability features, such as longform scrolling, or by choosing a certain interface theme, such as ‘material design’. But the name really isn’t important, because as we already know, with content, it’s not the name or title that counts, it’s the effect…the end game.
When you see minimalist design on a web page, you probably think you’re seeing ‘the bare minimum’. That’s right, you’re called upon to be super resourceful — to achieve as much as you can, with as little as possible.
You’re preventing them from getting overwhelmed by text, and you’re guiding them to what they need to read, as smoothly and freely as possible. In addition to its jaw-dropping beauty, Snow fall is actually referred to as ‘newspaper web design at its best’. But no matter who you ask, it’s a gorgeous storytelling approach that captivates anyone and everyone. Some might say it’s even more important than web content being 100% suitable for a computer screen.


Thankfully, many of the latest and greatest web design layouts are especially conducive to mobile and on-the-go viewing. Notice how the Daily Beast lets you do that, you can fish out the important points in the article — instead of spending extra time sifting through the bits that are less relevant to your knowledge base.
It shows you your progress among the important articles on-site, and highlights the one you’re currently reading.
The card layout knows that on your mobile, you can really achieve only one action at a time. It takes one concept and uses a responsive web attitude to map out all your options — that is, your interests within the topic, and your options for which action to choose. When telling our best stories, it’s no fun unless our readers can live through our experience, too.
Follow this step by step tutorial to create a sleek website design for a fictional eyewear company.
It’s always worth listing out the elements that are required on a page so you can make room and order everything in terms of importance.
I have a preset template I use that already contains columns, gutters and a 24px baseline grid.
Duplicate and flip this gradient and reposition it to outline a feature area at the top of the homepage design.
Here the Hydro-tek logo has been imported from Illustrator using the same Eurostile font, while the body text is added in Photoshop as #9d9d9d 16pt Helvetica. Colours have been picked from the image to tie everything together while keeping the basic hue as blue in order to provide a recognisable and consistent colour between all clickable elements and links. More photos from ThinkStock were used alongside a creative commons photo from Flickr by Monsalvador.
Aligning all the items to the columns and baseline grid helps achieve perfect horizontal and vertical flow, with every page element being neatly aligned.
If you’re excited to move onto the next step, check out part two over on my web design blog Line25. There is one thing that I still can’t understand from great experts like you and that is the combination of colors. In this particular article we’ll create the visual concept and overall design concept in Photoshop, using various effects, blending modes and layer styles to create all the detailed elements of the design. Otherwise the concept is styled with large typography and subtle details on the interface elements. I tend to work with dimension of 1680×1050 to gain an idea of how the website will look on a widescreen monitor. If you fancy creating yourself a cool little emblem style logo like this, check out my old tutorial. Make a selection from the header area then add a layer mask to trim the screenshot to size.
The inner pages don’t need a large header area, but we can use the space to display the page title. When we eventually build the website as a WordPress theme, each portfolio item will be created as a blog post. Been following you for a while through your various blogs and most recently your Black Ops videos and I’ve also been building my own site over the last month or so, so this is a brilliant piece of inspiration. I as many others have dabbled in the designing side of UI interfaces but as of yet have not ventured into the technical side of things and code it. Was just wondering though, regardless of the fact that your purely showcasing your talent, isn’t a blog something we designers can’t do without these days?
I like the subtle texture in the background, and the fabric texture reminds me of the one used on the iPhone. I was just starting to stress out about how I needed to get started on my portfolio as I’m about to graduate in a little over a month. I’m looking for a medium that can help us to get a good amount of promotion for my websites which in return gave me a business too through websites and I must say this has definitely helped me in this process.
I’m trying to get a portfolio up but cant take the time to learn how to build a website. This is true whether it is an app, a web page, a game interface or any kind of software. But how to make a user interface design in the first place? We hope that these user interface design tutorials can help you improve your skill as designer. In my personal life I spend time on photography, mountain climbing, snorkeling and dirt bike riding.
And how can top online publishers tailor their sites to millions of individuals who continuously browse through their content?
The continuity of the left column keeps you focused, and the vivid motion down the right column keeps you engagingly intrigued. The more naturally your imagery and texts jive together, the more real your message seeps into reality. Every time we invest in designing a web page layout (especially in mobile-view), we must keep in mind all the options out there to make our stories as dramatically real as possible. In part one of the tutorial we’ll build the Photoshop design concept with a dark colour scheme and lay out the content to a solid underlying grid.
The whole website is laid out according to a solid grid which helps balance the page elements.
It needs to reflect the sleek style of their sports eyewear and direct the user to their four product ranges.
A simple sketch fleshes out the overall layout and gives us a clear direction when we open up Photoshop. Once you’ve finished your PSD concept, head over to my web design blog at Line25 to learn how to code up the design, then transform it into a fully working WordPress theme. It strives to make that one interaction as accessible as possible, with utmost visual grace.
A selection of photography has been supplied, which needs to prominently showcase the products, otherwise you, the designer has free reign over the overall layout and design. It is one of the first developed server-side scripting languages to be embedded into an HTML source document rather than calling an external file to process data. The code is interpreted by a Web server with a PHP processor module which generates the resulting Web page.
It also has evolved to include a command-line interface capability and can be used in standalone graphical applications.
PHP can be deployed on most Web servers and also as a standalone shell on almost every operating system and platform free of charge. A competitor to Microsoft’s Active Server Pages (ASP) server-side script engine and similar languages, PHP is installed on more than 20 million Web sites and 1 million Web servers.
Choose Domain nameA domain name is an identification string that defines a realm of administrative autonomy, authority, or control on the Internet. Domain names are formed by the rules and procedures of the Domain Name System (DNS).Domain names are used in URLs to identify particular Web pages.
Choose Web hostting.A web hosting service is a type of Internet hosting service that allows individuals and organizations to make their website accessible via the World Wide Web. Web hosts are companies that provide space on a server owned or leased for use by clients, as well as providing Internet connectivity, typically in a data center.



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