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DESCRIPTION: The profound difference between the Roman and the Greek mind is illustrated with peculiar clarity in their maps.
Although copies of Agrippaa€™s map were taken to all of the great cities of the Roman Empire, not a single copy has survived.
Shown here are three continents in more or less symmetrical arrangements with Asia in the east at the top of the map (hence the term orientation). Note that most scholars, however, believe that due to its placement on the column in a portico or stoa open to the public, the Porticus Vipsani, it was probably rectangular, not circular. The only reported Roman world map before Agrippaa€™s was the one that Julius Caesar commissioned but never lived to see completed. We may speculate whether this map was flat and circular, even though such a shape might have been considered a€?unscientifica€™ and poorly adapted to the shape of the known world. Augustus had a practical interest in sponsoring the new map of the inhabited world entrusted to Agrippa.
In point of fact Augustus may have delegated the detailed checking to one of his freedmen, such as his librarian C. We may treat as secondary sources Orosius, Historiae adversum paganos, and the Irish geographical writer Dicuil (AD 825).
It is also claimed that Strabo (#115) obtained his figures for Italy, Corsica, Sardinia and Sicily from Agrippa. Although the term chorographia literally means a€?regional topographya€?, it seems to include fairly detailed cartography of the known world. For a more complete assessment of what Agrippa wrote or ordered to be put on his map, we may again turn to passages where Pliny quotes him specifically as reference. It is a pity that Pliny, who seems to be chiefly interested in measurements, gives us so little other information about Agrippaa€™s map. It is the sea above all which shapes and defines the land, fashioning gulfs, oceans and straits, and likewise isthmuses, peninsulas and promontories. A serious point of disagreement among scholars has been whether the commentarii of Agrippa mentioned by Pliny were published at the time of construction of the portico.
Another element in this problem that demands some explanation is the origin of the two later works the Demensuratio provinciarum and the Divisio orbis terrarum which are both derived from Agrippa, probably through a common source.
Apart from the information supplied by Pliny, our chief evidence for the reconstruction of the map is provided by the two works already mentioned, the Demensuratio provinciarum and the Divisio orbis terrarum. Dicuil, in his preface, promises to give the measurement of the provinces made by the envoys of the Emperor Theodosius, and at the end of chapter five he quotes twelve verses of these envoys in which they describe their procedure. According to Tierney, Detlefsen regarded these two works as derived from small-scale copies of Agrippaa€™s map.
Tierney believes however, that the west to east movement supposed by Klotz is, in fact, correct, but not for his reasons. Our idea of the detail of the map of Agrippa must be based on a study of the references in Strabo, Pliny, the Divisio and the Demensuratio.
There are twenty-four sections in the Divisio and thirty in the Demensuratio, the difference being mainly due to the absence from the Divisio of the sections on the islands of the Mediterranean and the Atlantic. These sections are largely identical with passages in Plinya€™s geographical books (Books III to VI), and show that many passages in Pliny are taken from Agrippa beyond those where he is actually named. The consensus of the views of modern scholars on Agrippaa€™s map, is that it represents a conscientious attempt to give a credible version of the geography of the known world.
But this consensus is not quite complete and therefore I now turn to consider the view of Agrippaa€™s map put forward by Professor Paul Schnabel in his article in Philologus of 1935. Schnabel does not himself take up the general question of the use of Agrippa by Marinus and Ptolemy.
Schnabel here refers to the last chapter of the geographical books of Plinya€™s Natural History, that is, Book VI, cap. Schnabel continues with the negative argument that the Don parallel cannot belong to the school of Hipparchus.
We may speculate as to whether Plinya€™s phrase regarding the a€?careful later students,a€? does not refer to Nigidius himself. Schnabel next moves on to a more ambitious argument, making the assumption that Ptolemy has used some of Agrippaa€™s reckonings to establish points in his geography. It is sad to think that this elegant piece of reasoning must be thrown overboard, but Tierney believes it must be rejected on at least three different counts.
In the second place Schnabela€™s statement that Agrippa reduced the itinerary figure of 745 miles to a straight line of 411 cannot be accepted.
Thirdly, it may fairly be objected that the very method by which Schnabel obtains the figure of 411 miles is faulty.
Tierney passes over Schnabela€™s reasons for thinking that Agrippa established lines of meridian in Spain and in the eastern Mediterranean, all of which Tierney finds quite unconvincing. Schnabela€™s attempt to present us with a scientific Agrippa and indeed to reconstruct a scientific Roman geography may be regarded a complete failure, and the older view of Detlefsen and Klotz must be regarded as correct. From another well-known passage in Strabo (V, 3, 8, C, 235-236) that contains a panegyric [a public speech or published text in praise of someone or something] on the fine buildings of Augustan Rome, we know that he was well acquainted with the dedications of Marcus Agrippa that he specifically mentions. Strabo shows the contemporary Roman view of the purely practical purposes of geography and of cartography by everywhere insisting on restricting to a minimum the astronomical and mathematical element in geographical study.
This would mean then that Agrippaa€™s map was based on the general scheme of the Greek maps which had been current for upwards of 200 years, since the time of Eratosthenes and Hipparchus, and that it presumably attempted to complete and rectify this scheme by using recent Roman route-books and the reports of soldiers, merchants and travelers. Towards the end of the fourth century two important events greatly enlarged the scope of geography.
About a century later the famous astronomer Hipparchus subjected the geography of Eratosthenes to rather stringent criticisms. The next geographer whose views are well known us is Strabo (#115), who was writing at the time of the construction of Agrippaa€™s map or some years later.
If, then, progress was no longer being made or to be expected from Greek geographers using various astronomical instruments, was anything to be expected from the other tradition, the Roman roads and their itineraries? We must then approach the map of Agrippa on a purely factual basis realizing that it provides us merely a list of boundaries followed by a length and breadth, for the areas within the Empire and beyond it.
Fundamentally, therefore, Agrippaa€™s figures allow us to construct a series of boxes or rectangle with which to deck out the shores of the Mediterranean and the eastern world and whose dimensions should be reduced by an uncertain amount.
Spain consists of three boxes, the square of Lusitania and the rectangle of the Hispania citerior [Roman province] east of it being placed over the rectangle of BA¦tica. In Gaul [France] a large rectangle lies over a small one, that is Gallia Comata over the province of Narbonensis. The islands of the Mediterranean are not forgotten, at least the major ones, just as Italy lies too far to the southeast, so do Corsica and Sardinia lie too far to the southwest.
The eastern Mediterranean is faced by Syria whose longitude Pliny (V, 671 states as 470 miles between Cilicia and Arabia, and whose latitude is 175 miles from Seleucia Pieria on the coast to Zeugma on the Euphrates. We have now either reached or gone beyond the boundaries of the Roman Empire in the north, south and east, as it was in Agrippaa€™s day.
The most important achievement of the map, to Agrippaa€™s mind, consisted in its measurements, and it is possible that he spent very considerable pains in getting these exactly, although we cannot take the account given by Honorius (ca.
The exact correspondence between Pliny, the Divisio and the Demensuratio, in giving many of the boundaries of the sections, shows, according to Detlefsen, that these boundaries also were inscribed upon the map. Klotz, in his final review of Agrippaa€™s methods of work, has made some illuminating points that supplement Detlefsen.
Within the Empire he chiefly used the itineraries without the overt use of an astronomical backing, although astronomical data, of course, already formed the basis of the Greek maps that were the real foundation of his. Klotz, A., a€?Die geographischen commentarii des Agrippa und ihre Uberrestea€?, Klio 25, 1931, 35ff, 386ff. Note that most scholar, however, believe that due to its placement on the column in a portico or stoa open to the public, the Porticus Vipsani, it was probably rectangular, not circular. According to Fisher seeing that this is a Roman world map sharing many similarities with the mappaemundi, it is logical to assume that SchA¶nera€™s southern landmass is a copy of Agrippaa€™s Orbis Terrarum, the Roman world map upon which the mappaemundi were based.
Within the context of the early 16th century, it seems apparent that SchA¶ner found himself caught up in the perfect cartographic storm.
All these parts were in place when an errant 1508 report of a strait at the tip of South America with a large southern continent lying beneath inspired SchA¶ner to unwittingly preserve the only copy of Agrippaa€™s Orbis Terrarum on the bottom of his 1515 world globe. When medieval Christians began creating the mappaemundi they borrowed heavily from Agrippaa€™s map as well as Greek designs.
This design adjustment may also explain the Expositio mappemundi (EMM), manuscripts which are a collection of the data items appearing on the mappaemundi.
It was reverse engineered from the mappaemundi, but plays it relatively safe in its assumptions.
The new found design also provides for the first time insights into the inspiration for key design aspects on the mappaemundi such as the tribute to Jesus at the top of the map, the transition from a separate commentary requiring locative terminology to commentary overlain onto the mappaemundi no longer requiring spatial references, and the distribution of images from a consolidated arced matrix lying above Africa on SchA¶nera€™s design to areas throughout the mappaemundi. In conclusion, Fisher believes that he has presented a solid logical case for the historic discovery of a long lost 2,000-year-old Roman world map at the bottom of the world, SchA¶nera€™s world that is.
The Romans were indifferent to mathematical geography, with its system of latitudes and longitudes, its astronomical measurements, and its problem of projections. The context shows that he must be talking about a map, since he makes the philosopher among his group start with Eratosthenesa€™ division of the world into North and South.
The reconstructions shown here are based upon data in the medieval world maps that were, in turn, derived from Roman originals, plus textual descriptions by classical geographers such as Strabo, Pomponius Mela and Pliny. The emphasis upon Rome is reflected in the stubby form of Italy, which made it possible to show the Italian provinces on an enlarged scale. We are told by late Roman and medieval sources that he employed four Greeks, who started work on the map in 44 B.C. That is the form of the Hereford world map (Book IIB, #226), which seriously distorts the relative positions and sizes of areas of the world in a way we should not imagine Julius Caesar and his technicians would have.
On the re-establishment of peace after the civil wars, he was determined on the one hand to found new colonies to provide land for discharged veterans, on the other hand to build up a new image of Rome as the benevolent head of a vast empire. It was erected in Rome on the wall of a portico named after Agrippa, which extended along the east side of the Via Lata [modern Via del Corso]. Orosius seems to have read, and followed fairly closely both Agrippa and Pliny, as well as early writers from Eratosthenes onwards. His source was clearly one commissioned by Romans, not Greeks, as his figures for those areas are in miles, not stades. The Agrippa map probably did not, in the absence of any mention, use any system of latitude and longitude.
These include both land and sea measurements, though the most common are lengths and breadths of provinces or groups of provinces. But on the credit side, Agrippaa€™s map, sponsored by Augustus, was obviously an improvement on that of Julius Caesar on which it is likely to have been based. The general history of ancient cartography and our knowledge of Roman buildings in the Augustan period would appear to be our surest guides. The German philologist and historian Detlev Detlefsen always clung steadfastly the view that there was no such publication and that the inscriptions on the map itself provided all the geographical information that was available to later times under the name of Agrippa.
Detlefsen had explained their origin by assuming the production of smaller hand-copies of Agrippaa€™s map, their smallness then making a written text desirable. Small discrepancies were to be explained by differences in the copies of the map used by each.
Strabo used Agrippa only for Italy and the neighboring islands, so that our chief evidence comes from the other three sources. Detlefsen believed that the island sections were later added to the Demensuratio, but according to Tierney there can be little doubt that he is wrong in this and that Klotz is right in thinking that these sections have rather fallen out of the Divisio. It relies on the general scheme of the Greek maps that had been current since the time of Eratosthenes and Hipparchus, and attempts to rectify them, particularly in Western Europe, with recent information derived from the Roman itineraries and route-books. We have to thank Professor Schnabel for providing in the same article a new critical text of both the Demensuratio and the Divisio. He sets out, at first, to prove that Agrippaa€™s map possessed a network of lines of longitude and latitude. 39, sections 211-219, where Pliny mentions evidently as a work of supererogation, a€?the subtle Greek inventiona€? of parallels of latitude, showing the areas of equal shadows and the relationship of day and night Pliny then gives seven parallels, running at intervals between Alexandria and the mouth of the Dnieper, with longest days running from fourteen to fifteen hours. Hipparchus had made the Don parallel the seventeen-hour parallel, corresponding to 54A° N latitude, whereas Pliny here puts it at sixteen hours or 48A° 30" N latitude, which is nearly correct. 39, section 211, refers obviously to all that follows as far as the end of Book VI and shows that the complete passage is taken from Greek sources.
In the first place, Schnabel has apparently overlooked Ptolemya€™s method of establishing the longitude and latitude of particular geographical points.
Pliny gives this itinerary as running at the base of the Alps, from the Varus through Turin, Como, Brecia, Verona and other towns on to Trieste, Pola and the Arsia. For the reduction, of longitude he uses, as I have said, the factor of forty-three sixtieths derived from Ptolemya€™s fifth map of Europe (Book VIII, cap. Tierney turns to his last main argument in which lie tries to prove Agrippa to be the author of a new value of the degree at 80 Roman miles or 640 stadia, Pliny (V, 59) gives the distance of the island of Elephantine from Syene as sixteen miles and its distance from Alexandria as 585 miles. If we accepted it we might as well accept that everyone in antiquity who either sailed or traveled in a north-south direction in the eastern Mediterranean was also engaged in establishing a new degree value. On the general question of Roman proficiency in geographical studies some light is thrown by a passage of Strabo (Book III, C 166) who says: a€?The Roman writers imitate the Greeks but they do not go very far. The phrase which he uses of Agrippaa€™s aqueducts is exactly echoed in Plinya€™s phrase tanta diligentia. Before entering into the details of Agrippaa€™s map it will be useful to examine briefly these two traditions, the Greek and the Roman, in order to grasp more clearly the problem which confronted Agrippa or whoever else might wish to construct a world map in the age of Augustus. We are told that it was Democritus who first abandoned the older circular map and made a rectangular one whose east-west axis, the longitude, was half as long again as the north-south axis, the latitude. The campaigns of Alexander and the new Greek settlements pushed the Greek horizon far to the east while in the west the intrepid Pytheas of Massalia circumnavigated Britain and sailed along the European coast from Gibraltar at least as far as the Elbe, publishing his investigations in a work which included gnomonic observations at certain points, and remarks on the fauna and flora of these distant areas. He made devastating attacks on the eastern sections of the map, as being seriously incorrect, both on mathematical and on astronomical grounds.
Sad to relate, the gradually accumulating mass of details concerning roads and areas did not add up to any great increase in geographical knowledge. Our three main authorities, Pliny, the Divisio and the Demensuratio, have suffered a great deal in the transmission of these latter figures, the longitude and latitude, so-called. Klotz has argued that Agrippa did not use the word longitudo in the technical sense of the east-west measurement, nor the word latitudo in the technical sense of the north-south measurement, but rather in the more general sense of length and breadth. To evaluate the map we must take a glance at each of these boxes in turn, and the most convenient order would appear to be that of the Greek geographers and of Agrippa himself, if we can trust the order of the Divisio that has Europa, Asia, Lybia, that is, Europe, Asia, and Africa.
The internal line of division ran south from the estuary at NA“ca between the Astures and the Cantabri, down to Oretania and on to New Carthage. Off the coast of Gallia Comata lies an enormous Britain, 800 by 300 miles, and north of it an equally exaggerated Hibernia [Ireland]. Corsica, in fact forms the eastern boundary of Sardinia and this explains why the long axis of both islands is described as the longitude. Tierney believes that it is possible to remove the difficulties felt about Agrippaa€™s Syria by both Detlefsen and Klotz. Only a few more boxes or rectangles are left to the east of the line, formed by Armenia, Syria and Egypt, but now they begin to grow portentously large.
Spain has three sections and Gaul two, while in the east of Europe Dacia and Sarmatia run off to the unknown northern ocean, and further east again the sections are quite enormous.
Natural features such as the mountains and rivers that divided provinces were shown also, but in what exact way is not clear. He points out that just as Eratosthenes had divided the inhabited earth into his famous a€?sealsa€?, so also Agrippa divided the earth into groups of countries without reference to their political or geographical conditions. Any attempt to draw the map of Agrippa from the figures that have survived without some astronomical backing is entirely hopeless. Wherever itineraries did not exist he made use of the estimated distances of the Greek geographers, and outside the Empire he had to rely on them altogether.
Proceeding in our evaluation with this in mind we can gain insights into how the mappaemundi arrived at their final design. Fisher believes that the central zones on Agrippaa€™s map had to be eliminated when the Christians decided to adopt and adapt from Greek maps the concept of cartographic centricity by distorting the map to position the holy city of Jerusalem at the mapa€™s center. Some believe that these manuscripts were instruction sets used to construct a mappa mundi based on the fact that the text is spatially specific. The reconstruction acknowledges that the waterway originated on Agrippaa€™s map as it is common to most mappaemundi, but it assumes that the Roman original was far less imposing, whereas SchA¶nera€™s design suggests that the mappaemundi are far more accurate in their depiction of the waterway spanning most of the continent. All three adjustments were based on their Roman counterparts, but reflect necessary adjustments as the makers of the mappaemundi opted for a Christocentric design. His evaluation, however, is based on the fact that copies of Agrippaa€™s Orbis Terrarum did indeed exist and were at one time distributed throughout Europe becoming the model for the medieval mappaemundi.
This leads him on to the advantages of the northern half from the point of view of agriculture. The original was made at the command of Agrippaa€™s father-in-law, the Emperor Augustus (27 B.C.
These were no doubt freedmen, of whom there were large numbers in Rome, including many skilled artisans. A late Roman geographical manual gives totals of geographical features in this lost map with recording names, but even the totals, on examination, turn out to be unreliable. Mapping enabled him to carry out these objectives and to perfect a task begun by Julius Caesar.
This portico, of which fragments have been found near Via del Tritone, was usually called Porticus Vipsania, but may have been the same as the one that Martial calls Porticus EuropA¦, probably from a painting of Europa on its walls.
Dicuil tells us that he followed Pliny except where he had reason to believe that Pliny was wrong.
It is through such features that continents, nations, favorable sites of cities, and other refinements have been conceived, features of which a regional [chorographic] map is full; one also finds a quantity of islands scattered over the seas and along the coasts. The fact that such an insignificant and distant place as Charax was named on the map shows the detail that it embodied. His sister, Vipsania Polla, began the work, and we know from Dio Cassius that it was still unfinished in the year 7 B.C. There can be no reasonable doubt that the map was a rectangular one with the east-west measurements running horizontally and the north-south measurements running vertically. Though Strabo does not mention Agrippaa€™s name here he is probably merely being tactful with regard to the Emperor who, presumably, took a large part in the completion of the portico with its map. One must grant Detlefsen that in Plinya€™s main reference there is talk only of a map and the commentarii are merely the basis of the map. Partsch on the contrary, had assumed an original publication, contemporary with the original map, of a Tabellenwerk, that is, a series of tabulated lists. 1475, and, according to Paul Schnabel (Text und Karten des PtolemA?us, 1938) the thirteen manuscripts of the 15th and 16th centuries and a further manuscript of the 13th century all derive from the ninth-century codex in the library of Merton College, Oxford. What they show is rather that on the orders of Theodosius two members of his household composed a map of the world, one written and the other a painting.
The classical scholar Alfred Klotz, however, in his articles on the map has shown that a number of correspondences between the two works as against Pliny point rather to a common source from which both works are derived.
Greek cartography, like Greek writing, ran from left to right and perhaps the former practice was promoted by the fact that the western boundary of Europe was well known, at least from the time of Pytheas (ca. The numerals are much more corrupt than those in Pliny, and there is usually a presumption, therefore, that Plinya€™s figures preserve a better version of Agrippa. Schnabel, while expressing appreciation of the earlier work of Alfred Klotz, yet criticizes Klotz severely on two grounds. For the sixth of these parallels he gives a slight correction due to the Publius Nigidius Figulus (ca. Therefore, Schnabel argues, the incorrect latitude of Hipparchus was corrected by Agrippa who had experience of the Black Sea in his later years. His proximate source, moreover, he names in section 217, according to his usual custom, as Nigidius Figulus. The parallels of Meroe and Thule were both equally useless in astrological geography although they may well have been mentioned by Nigidius, as they are by Strabo simply by way of clearing the decks. H, 10, 1.) for the mouth of the river Varus (the frontier of Gaul and Italy), that is, 27A° 30a€™ E longitude and 43A° N latitude, and again his position for Nesakton (Geog. This method Ptolemy has described quite clearly and unambiguously in the fourth chapter of Book I of his Geography. It is difficult to see how Schnabel imagined that this line could be reduced to a straight line of 411 miles.
What they have to say they translate from the Greeks but of themselves they provide very little impulse to learning, so that where the Greeks have left gaps the Romans provide little to fill the deficiency, especially since most of the well-known writers are Greek.a€? On a comparison of this passage with Straboa€™s usual sycophantic admiration of things Roman we can rate it as very severe criticism. He was, therefore, well acquainted also with the map or Agrippa to which, or to whose content he refers no less than seven times in his Books II, V and VI. In the fourth century the study of spherical geometry was pushed forward rapidly by Eudoxus in the Academy, and again by Callippus.
This new knowledge was then exploited geographically by Eratosthenes of Cyrene (#112) in the latter half of the third century.


His delineation of the Near East, of Egypt, the Black Sea and the Mediterranean was reasonably correct, and this was also true of his sketch of the Atlantic coast of Europe and the Brettanic islands in which area he followed Pytheas. Hipparchus further indicated the theoretic requirements for establishing the exact location of points on the eartha€™s surface.
Despite his criticism of earlier geographers such as Pytheas, Eratosthenes and Hipparchus, it has long been recognized that he does not advance their work except in providing some details in regard to the map of Europe, while his general map of Europe has more faults than that of Eratosthenes. Without the stiffening of astronomical observation the Roman road systems were like a number of fingers probing blindly in the dark.
The variation in the figures is aggravated by the fact that our later authorities do not entirely understand the Roman method of expressing large numbers as used by Agrippa and Pliny.
This is, however, a serious error on the part of Klotz and to accept it would be a very retrograde step in our appreciation of the map. Therefore the word longitude could reasonably he used of its full length, and the measurements at right angles to this, that is, the latitudes, varied so much that Agrippa thought it necessary to give at least two, one in northern Italy and the second from Rome to the river Aternus. Since the Pyrenees are supposed to run north and south the longitude of Hispania citerior is really the latitude, as was noted before. Over the Rhine lies a small Germany, only half the size of Gaul, and southeast of it an Illyricum and Pannonia of about the same size as Germany.
Cross measurements of the Mediterranean are given at three points, from the Italian coast by way of Corsica and Sardinia to Africa, from southern Greece through Sicily to the same place, and from Cape Malea in Greece to Crete and Cyrenaica.
Mesopotamia measures a fairly modest 800 by 320 miles, but further east Media measures 1,320 by 840, Arabia to the south is 2,170 by 1,296 and, finally, India represents the Far East with 3,300 by 1,300. He must have taken over the map of Eratosthenes as revised by people such as Polybius, Posidonius and Artemidorus, and made it the basis of his own. Pliny understood these measurements as being the prime value of the map and that is why he copies them so exhaustively. Sometimes simple dividing lines were used, such as that used in central Spain, or wherever natural features of division were not present.
Thus Agrippaa€™s India corresponds generally to the first a€?seala€? of Eratosthenes, and Agrippaa€™s Arabia, Ethiopia and Upper Egypt corresponds to the fourth a€?seala€?. Even with an astronomical basis they only provide us with a set of rectangles mostly scattered at haphazard about the Mediterranean. At the boundaries to the north, east and south he had to content himself with qua cognitum est. This water feature is significant not only in the fact that it is completely landlocked, unlike most waterways which empty into a surrounding sea, but also notably both waterways are 1) truncated at each end by circular lakes 2) are similarly arced away from the center of their C-shaped surrounding, and 3) span the portion of their C-shape lying opposite the Greek and Italian peninsulas, the portion of the map which coincides with Africa. First century Roman maps like Agripaa€™s Orbis Terrarum, which had existed throughout Europe, disappeared during the medieval period, but at least one copy was discovered in Germany just a few years prior to the arrival of Schonera€™s 1515 globe, the Peutinger Table (#120), and therefore it is not unreasonable to believe that SchA¶ner might have had access to an unfinished copy of Agrippaa€™s map. When Agrippaa€™s Orbis Terrarum was originally created and put up for display on the wall of a portico, extensive commentary was likely consolidated within the center circular zone (2), but extending Jerusalem and Asia Minor into the mapa€™s center displaced much of the central text and necessitated the text's redistribution about the mappamundia€™s new design, relocating comments within the region to which each pertained, which is why we find the mappae mundi littered with commentary. But it may actually be that the EMM were based on the original text found on Agrippaa€™s map with the locative terms such as a€?above,a€? a€?opposite,a€? and a€?to the south ofa€? being necessary for a consolidated text set apart from the map, while the mappaemundia€™s placement of these data items directly onto the map logically allowed the removal of the spatial references.
The mappaemundi maintained this orientation because medieval Christians held Eden, which they believed resided in the east, in high esteem.
The reconstruction also omits completely the lateral mountain range above the waterway, which seems like a rather large oversight as both the Peutinger Table and Ptolemya€™s map, two ancient Roman maps, incorporated a trans-African range as does SchA¶nera€™s design. It also maintains a more realistic belief that ancient maps did not maintain the accuracy of modern maps, but retained a basic design and set of elements common to nearly all ancient maps. A You will not be able to get parts if something should go wrong with any of your Fly Logic gear. Louis Magazine2010 Platinum List Best Floral Designer Ladue News and At Home Magazine2011 Platinum List Best Floral Designer -Ladue News (among the Top 3 in St.
Disregarding the elaborate projections of the Greeks, they reverted to the old disk map of the Ionian geographers as being better adapted to their purposes. If land survey did play such an important part, then these plans, being based on centuriation requirements and therefore square or rectangular, may have influenced the shape of smaller-scale maps. The speakers compare Italy with Asia Minor, a country on similar latitudes where Greeks had experience of farming. India, Seres [China], and Scythia and Sarmatia [Russia] are reduced to small outlying regions on the periphery, thus taking on some features similar to the egocentric maps of the Chinese.
He first became prominent as governor of Gaul, where he improved the road system and put down a rebellion in Aquitania. Thus Agrippa is said to have written that the whole coast of the Caspian from the Casus River consists of very high cliffs, which prevent landing for 425 miles. Such a word certainly ties up with Divisio I: a€?The world is divided up into three parts, named Europe, Asia, Libya or Africa.
It is, as one might expect, more accurate in well-known than less-known parts, and more accurate for land than for sea areas. Moreover it seems to have been the first Latin map to be accompanied by notes or commentary.
In regard to the materials of construction I think we have to choose between the painted type of wall-map mentioned by Varro and the construction of marble slabs that is used in the forma urbis Romae of two centuries later, of which considerable parts are extant.
Detlefsen, as against the view of Partsch, effectively quoted the passage of the younger Pliny, on the 160 volumes of his unclea€™s commentarii, which he describes as electoruma€¦ commentarios, opisthographos quidem et minutissime scriptos, annotated excerpts, written on the back in a minute hand.
It is, of course, possible to imagine that tabulated lists were put up as an adjunct to the map at the short ends, but the references to Spain and the Caspian seem somewhat out of place even here, and the balance of probability on this problem seems to lie, although rather precariously in favor of a contemporary, or nearly contemporary, publication of at least a selection of Agrippaa€™s material comprising something more than mere lists of names and figures.
Detlefsena€™s view that both works were the transformation of actual maps into a written record had the advantage that the differences in the order of the material in the two works was of little consequence, the map giving merely the visual impact, and the writer a€?being free to begin his description at whatever point on the map he preferreda€?. First come the boundaries of the province given in the constant order east, west, north, south.
Firstly, Klotz has not discussed the possible use of Agrippa in Ptolemya€™s Geography, and secondly, and much more fundamentally, he has not recognized the scientific importance of the world-map of Agrippa as a link between Eratosthenes and Hipparchus on the one hand and Marinus and Ptolemy on the other, but has merely repeated traditional views dating from the end of the 19th century. It follows further, says Schnabel, that Plinya€™s seventh parallel, that of fifteen hours, belongs equally to Agrippa. Detlefsen pointed this out in 1909, and Kroll (after Honigmann) throws further light on the subject in his article on Nigidius in R. Plinya€™s final phrase about these scholars adding half an hour to all parallels denotes rather the astronomer than the astrologer.
III, 1, 7) on the river Arsia, that is, 36A° 15a€™ east longitude arid 44A° 55a€™ N latitude. It would be fairer to use the reduction factor from Ptolemy's third map of Europe, referring to Gaul (Book VIII, cap. Hipparchus however, reckoned the distance from Syene to Alexandria as seven and one-seventh degrees of latitude. The most important of these passages is the first (II, 5, 17, C 120) where he refers to the important role played by the sea and secondarily, and by rivers and mountains in the shaping of the earth.
Yet we may be sure that maps still continued to be made as rectangles on a plane surface, although the relation of the spherical to the plane surface must have begun to appear as a problem.
His calculation of the length of the eartha€™s circumference and of the degree length of 700 stadia was a notable event in the advance of geography.
For latitude he described the celestial phenomena for each individual degree of the ninety degrees running north front the Equator to the North Pole, giving for each the length of the longest day and the stars visible.
He tells us that the lack of gnomonic readings in the east, of which Hipparchus complained, was equally true of the west (IL 1, C 71). When one considers the variants within the MSS groups it follows that one may have a dozen or more variants for a single number.
The corresponding Greek words had, of course, originally meant length and breadth with no particular sense of direction. In Spain again the Pyrenees were always regarded as running north and south, parallel to the Rhine, while the east coast as far as the straits and Cadiz was regarded as running more or lees in a straight line to the west. Detlefsen accepts that Agrippaa€™s figure is an error without being able to explain why, while for Klotz Syria is an obvious proof that Agrippa assigned no definite direction to his longitude.
India alone, therefore, has a longitude as great as the whole Mediterranean, while its latitude is comparable to that of Europe and Africa combined. His chief pride would seem to have been in his measurements, and indeed it is only for the exactness of these that Pliny praises him when he refers to BA¦tica in Book III, 17. Again the horizontal spine of Mount Taurus plays an important role in both as a line of division between the northern and southern areas, Agrippa, however, follows the Eratosthenic method of division only in a general way and not in detail.
It is quite certain that the waterway made its way onto the mappaemundi via Agrippaa€™s Orbis Terrarum as this landlocked waterway represents the Roman belief that the Nile River originated in the mountains of Mauritania and ran laterally across the continent dividing the African continent in two with Libya to the north and Ethiopia to the south. And finally, based on SchA¶nera€™s design Agrippaa€™s map was built around a concentric grid that resembled a polar projection which he as a globe maker would have readily recognized. Ancient Roman maps like the Peutinger Table, however, oriented the map with north to the top similar to the reconstruction based on SchA¶nera€™s design. But should some doubts still linger, he offers one last review two earlier images comparing the landmass to other C-shaped maps, the Greek Hecataeus (#108) and medieval Hereford world maps, and ask that you consider the mathematical probability that SchA¶ner would incorporate the precise elements of these maps in their precise order and placement without an ancient world map as his template.
A I am now searching for the next line of gear I'll be using to chase salmon and steelhead. It found life in its cast, who through the careful direction of the aforementioned writer, brought a rollercoaster of sadness and despair, passion, betrayal, love and misery to the stage, without the singing!Aesthetically this play found its strength in the stunning imagery of moveable, multi-use boxes that became tables, beds and desks. Within this round frame the Roman cartographers placed the Orbis Terrarum, the circuit of the world.
This shape was also one that suited the Roman habit of placing a large map on a wall of a temple or colonnade. If Romans were planning this, they would place the northern section much further west, whereas the cartographers were Greeks, and they followed a tradition which originated in Rhodes or Alexandria. He pacified the area near Cologne (later founded as a Roman colony) by settling the Ubii at their request on the west bank of the Rhine. Agrippa was an obvious choice as composer of such a map, being a naval man who had traveled widely and had an interest in the technical side. The date at which the building was started is not known, but it was still incomplete in 7 B.C.
If the commentary had not been continuous, but had merely served as supplementary notes where required, there is a possibility that by Plinya€™s time, some eighty years later, it might have gone out of circulation.
Augustus was the first to show it [the world] by chorography.a€? Evidently there is a slight difference of meaning between this and Ptolemya€™s definition, by which chorography refers to regional mapping.
From the quotations given by Dilke, there would appear to be a general tendency by Agrippa to underestimate land distances in Gaul, Germany and in the Far East, and to overestimate sea distances. Although the words used are longitudo and latitudo, they have no connection with longitudinal and latitudinal degree divisions. Romans going to colonies, particularly outside Italy, could obtain information about the location or characteristics of a particular place. We know that the campus Agrippae was in the campus Markus on the east side of the Via Flaminia and that it was bordered towards the street on the west by the Porticus Vipsania.
In view of the widespread use of marble facings that characterizes the age of Augustus, the marble slab method appears more probable. Riese and Partsch had argued that certain references to Agrippa in Pliny, in particular the reference to the inaccessibility of part of the coast of the Caspian Sea and also that to the Punic origins of the coastal towns of Baetica refer more naturally to a published work than to the map in the Porticus Vipsania. We do not know the size of this map that has perished, or whether its descent from the map of Agrippa was through a series of hand-copies as Detlefsen supposed.
In actual fact Pliny and the Divisio both begin their description from the straits of Gibraltar, moving east, while the Demensuratio, on the contrary, begins with India moves west. Following on this and connected there with come the longitude and latitude, in that order, expressed in Roman miles with Roman numerals.
These views stated that Agrippaa€™s work was constructed on the basis of Roman itinerary measurements and took no note of the scientific results of the astronomical geography of the Greeks.
Pliny then adds a€?from later studentsa€? five more parallels, three of them, those of the Don, of Britain, and of Thule, running north of the original seven, and two, those of Meroe and Syene, running south of them. What is new in Plinya€™s parallels may be referred to the Greek astronomers of the age of Hipparchus or the two or three generations after him.
By subtraction we get the difference in longitude between the two places as 8A° 45a€™ and the difference in latitude as 1A° 55a€™. This third class was to be manipulated as intelligently as possible so as to fit in with the basic evidence of the first two classes. But in every case instead of a geometrical definition a simple and rough definition is enough. He also established a fundamental parallel of latitude, following the example of DicA¦archus.
The north, the far east, and Africa south of the Arabian gulf, were practically unknown, and even in the Mediterranean and the land-areas surrounding it, major defects were due to the great uncertainties of measurement, whether by land or by sea.
Straboa€™s aversion to the mathematical and astronomical sick of geography has already been described and considered as typical of the age that he lived. Much toil has been expended by scholars such as Partsch, Detlefsen and Klotz in attempting to divine which, if any, of these figures belong to Agrippa. They became technical terms for longitude and latitude with a strict directional sense in the filth century B.C. The north coast, however, was usually thought to run from Lisbon (Cabo da Roca) to the Pyrenees, the northwest capes, Nerium and Ortegal, being ignored. Detlefsen held that the map was not drawn to scale and that the measurements were merely inscribed upon it.
Unfortunately, in nearly all cases we know neither the beginning nor the end of the routes measured, nor do we know, with any exactness, the direction of the route. Eratosthenes determined the sides of his a€?seals,a€? that were irregular quadrilaterals, by the points of the compass. It is clear that he gave the itinerary stages in Italy and Sicily in addition to the coastal sailing measurements. He believes such a notion is impossible and with the presentation of a sound argument for the circumstances contributing to SchA¶nera€™s error, there remains little reason to doubt that because of his grand error we are able to gaze upon Agrippaa€™s Orbis Terrarum for the first time in many centuries. A moving set creating prison walls, high barricades and bordellos, pubs and tenement houses. As a visual aid to this discussion, the temple map will have been envisaged as particularly helpful.
He must have had plans drawn, and may even have devised and used large-scale maps to help him with the conversion of Lake Avemus and the Lacus Lucrinus into naval ports. Two late geographical writings, the Divisio orbis and the Dimensuratio provinciarum (commonly abbreviated to Divisio and Dimensuratio) may be thought to come from Agrippa, because they show similarities with Plinya€™s figures. If West Africa is any guide, in areas where distances were not well established, they were probably entered only very selectively. Also the full extent of the Roman Empire could be seen at a glance.a€?Certain medieval maps, including the Hereford and Ebstorf world maps (see monographs #224 and #226 in Book IIB) are now believed to have been derived from the Orbis Terraum of Agrippa, and point to the existence of a series of maps, now lost, that carried the traditions of Roman cartography into Christian Europe. Varro, in the following century, tells us of a map of Italy that was painted on the wall of the temple of Tellus.
Remains of the portico are stated to have been found opposite the Piazza Colonna on the Corso at about the position of the column of Marcus Aurelius and further north. The volumes of commentary referred to by the younger Pliny were not published, but were clearly digested to the point where little further work was needed to prepare them for publication, and the same situation may well be accepted for the commentarii of Agrippa.
The text, however, had long previously been known from its reproduction in the first five chapters of the De Mensura Orbis Terrae, published by the Irish scholar Dicuil in A.D. But it did quite clearly derive from that map, whether in the map-form or in a written form, with its list of seas, mountains, rivers, harbors, gulfs and cities. On Klotza€™s view that both works derive from a common written source this major divergence becomes a problem to he explained, but Klotz can offer no explanation. The boundaries are marked by the natural features, usually the mountains, rivers, deserts and oceans, only occasionally by towns or other features. Of these parallels Schnabel tries to establish that at least two are due to Agrippa, to wit, the first of the new parallels passing through the Don, and the seventh of the old parallels passing through the mouth of the Dnieper. Using Ptolemya€™s reduction factor at 43A° N latitude which is forty-three sixtieths we find that with Ptolemya€™s degree of 500 stadia the difference in longitude between the two places in question is 3,135 and five-twelfths stadia and the difference in latitude is 958 and one-third stadia. It was this third kind of evidence which gave Ptolemy his positions for the Varus and the Arsia.
He thinks the 411 miles represents the itinerary measurement from the Varus to Rimini through Dertona, and that the Arsia has got attached to it by a slight confusion in Pliny's mind in thinking of the boundaries between the mare superum and the mare inferum, with which, in fact, he equates the Varus-Arsia measurement.
This factor of forty sixtieths or two-thirds gives a distance of approximately 384 miles from Varus to Arsia and the striking coincidence on which Schnabel has built this elaborate theory simply vanishes. Therefore, argues Schnabel, Agrippa made a new reckoning of the degree at 80 Roman miles or 640 stadia. Such features as these brought into existence the continents, the tribes, the fine natural sites of cities and the other decorative features of which our chorogaphic map is chock full.a€? The map of Agrippa displayed, therefore, all the natural features just mentioned and, in addition, the names of tribes and of famous cities. Only a combination of the practical measurements with astronomical observation could have affected a real progress and our evidence shows only too clearly that this happy union did not take place.
Some light has been thrown on the subject by comparison with later Roman itineraries for the particular areas. The result of this misconception was that the figures for longitude and latitude were simply interchanged. Agrippa regarded the Syrian coast running northeast from the boundary of Egypt, as running much more in an easterly direction than it actually does. His map represents, says Detlefsen, a moment of historical development, a point in the process of crystallization of the lands of the Mediterranean into the Roman Empire.
Agrippa defines the boundaries of his groups of countries in the same way, by the points of the compass, but as regards size he supplies only the length and breadth, thus agreeing with Strabo, already quoted. It is a question whether these itinerary measurements were given, in detail on the map for all the western provinces, not to mention the eastern ones. Louis Homes and Lifestyles Magazine October 2013 issueSuper Floral Retail Magazine     ??TV AND PRESS "SHOW ME ST. That combined with lighting allowed each scene to come to light.One critical point of note was the sound, though very truly poignant and appropriate for each use, there was no fade or easement meaning the music and sound started and ended abruptly.
But whether it was only intended to be imagined by readers or was actually illustrated in the book is not clear. The map was presumably developed from the Roman road itineraries, and may have been circular in shape, thus differing from the Roman Peutinger Table (#120). The theory that it was circular is in conflict with a shape that would suit a colonnade wall.
What purpose was served by giving a width for the long strip from the Black Sea to the Baltic Sea is not clear. Dilke provides a detailed discussion of Agrippaa€™s measurements using quotes from the elder Plinya€™s Natural History. We do not know the occasion of this dedication, but since it was meant to celebrate a victory it may been intended for the geographical instruction of the Roman public. They are said to allow the conclusion that it had the same dimensions and construction as the adjacent porticus saeptorum, whose dimensions were 1,500 ft. The twelve lines were inscribed on this map and also on an obviously contemporary written version thereof, and it is this written version that has been preserved for us both by Dicuil and in the various manuscripts of the Divisio orbis terrarum, whereas the map has perished. Klotz, however, believed that be could determine the original succession of countries and groups of countries as treated in the published work of Agrippa by criteria. The Demensuratio on one occasion gives the fauna and flora of Eastern India, which it calls the land of pepper, elephants, snakes, sphinxes and parrots. He argues that the Dnieper was used as a line of demarcation between Sarmatia to the east and Dacia to the west only on the map of Agrippa, and neither earlier nor later, and that therefore the parallel from the Don through the Dnieper must derive from that map. Plinya€™s seven klimata are a piece of astrological geography and derive through Nigidius from Serapion of Antioch, who was probably a pupil of Hipparchus, or if not was a student of his work. But there is no vestige of probability or proof that Agrippa made new gnomonic readings to correct Hipparchus. Schnabel now treats the spherical triangle involved as a plane right-angled triangle, and using the theorem of Pythagoras, he finds that the hypotenuse, that is, the distance between the Varus and the Arsia is 3,291 stadia or 411 Roman miles. Gnomonic readings were often inaccurate, measurement of time was still very vague, and a degree length one-sixth too large did not help. He used the circle of 360 degrees, giving up the hexecontads [a 60-sided polygon] of Eratosthenes. But since we normally do not know by what route Agrippaa€™s measurements were taken, this light may prove to be a will-o-the wisp.
Aristotle, Strabo and Pliny all insist on the technical directional sense, as there was the possibility of ignorant people misunderstanding them. The same thing occurred in the British islands that were regarded as running from northeast to southwest. 1,200, 720 and 410 miles, respectively, running from the unknown north down to the Aegean, but all having approximately the same latitude of just under 400 miles. Therefore the longitude was to him the east-west direction, and the latitude from Seleucia Pieria to Zeugma was the north-south direction. Partial distances were given from station to station along the Italian coast, but Detlefsen thinks that the summation of the coastal measurements appeared elsewhere on the map.


Where this process is complete we have ready-made provinces, where it is still in progress we find the raw materials of provinces-to-be, which are still parts of large and scarcely known areas, and finally, where Roman armies have never set foot we find enormous, amorphous masses lumped together as geographical units. It is notable, as Detlefsen points out, that Strabo must have recognized this lack of scientific value. It appears from passages in Pliny that Varro had already used the Roman itineraries in his geographical books and Agrippa was only following his example. This, though related to the brechtian style of distancing highlighted by the projected dates, left me feeling as an engaged member of the audience, uncomfortably distanced.A There didn't seem to be a chorus, so well blent were the characters, so well developed. LOUIS FLORAL DESIGNERAwarded as an Individual Floral Master Designer-All within the same year period!.ST. The same applies to possible cartographic illustration of Varroa€™s Antiquitates rerum humanarum et divinarum, of which Books VII-XIII dealt with Italy. The map of Agrippa, however, was set up, not in a sacred place, but in a portico or stoa open to the public, the Porticus Vipsania. Dicuil worked and wrote probably at the Frankish palace at Aix-la-Chapelle in the time of Charlemagne and Louis the Pious. The date of the making of the map was probably the fifteenth consulate of Theodosius II, that is, A.D. One of these was the direction shown in the order of naming several particular countries where several are included in the same section, or the direction shown in the list of the boundaries of the section. This argument, however, is unsound for a number of reasons, of which the most obvious in this context is that whereas the Dnieper is given by our sources as the west boundary of Sarmatia, it is never given as the east boundary of Dacia. Nigidius was a notorious student of the occult and his astrological geography was contained in a work apparently entitled de terris.
At right angles to this he established a meridian running from Meroe northwards to the mouth of the Dnieper, and passing through Alexandria, Rhodes and Byzantium. Yet he did not try to get a more exact value for the degree, although this was the point where theory could most easily have affected practice. Moreover, although the Roman roads may often have rationalized the native roads by new road-construction or by bridging, yet in general they continued to be town-to-town roads, and if the itineraries ever correctly represented the longitude and latitude of a province it would be by pure chance. But, you may object, this technical sense is only suitable for describing rectangles and not all countries fall into that convenient form. Here again longitudo is the long axis and latitudo the short axis, not because of a misuse of these technical terms, but simply because their general position was misconceived. Further east again Sarmatia [Russia], including the Black Sea to the south, measures 980 by 715 miles, Asia Minor 1,155 by 325, Armenia and the Caspian 480 by 280. Any doubt on this matter is removed when we look at Pliny (VI, 126), where he gives the latitude from the same point, Seleucia Pieria, to the mouth of the Tigris.
It is probable that Italy and the neighboring islands were given in greater detail than other areas. Of the first class, the ordered provinces, we have eight in Europe, three in Africa, and three in Asia. He gives us from Agrippa, a few lines along the coasts of Italy and Sicily but not a single one of his reckonings for the provinces. Since so little of the materials of the ancient geographers bas been preserved it is mostly a matter of chance whether we know or do not know whether Agrippa agreed or not with the measurements of a particular earlier geographer. The most fulfilling moments were the group scenes where all of the characters were active, responding and reacting to what's being said. But at least we know that he was keen on illustration, since his Hebdomades vel de imaginibus, a biographical work in fifteen books, was illustrated with as many as seven hundred portraits. Plinya€™s most specific reference to the map is where he records that the length of BA¦tica, the southern Spanish province, given as 475 Roman miles and its width as 258 Roman miles, whereas the width could still be correct, depending on how it was calculated. It was not a map of a part of the Empire, not even a map of the Empire as a whole, but rather a map of the whole known world, of which the Roman Empire was merely one part. The Porticus Vipsania was, therefore, an enormous colonnade and it follows that the map with which we are concerned was only one decorative item among the many that adorned it. Thus he says that the order Cevennes-Jura for the northern boundary of Narbonese Gaul shows motion from west to east, and again the list Macedonia, Hellespont, left side it the Black Sea shows the same movement.
This work seems to have included his commentary on the sphaera Graecanica describing the Greek constellations and his sphaera barbarica on the non-Greek constellations.
From the coincidence of the figures Schnabel strongly argues that Ptolemy must have taken over the figure of 411 miles from Agrippa.
The establishment of these two lines provided the theoretical basis for a grid of lines of parallels and meridians respectively, points being fixed by longitude and latitude as by the coordinates in a graph. The measurements of Agrippa should, therefore, be reduced but it is not easy to say by what factor.
This is true indeed, and here we have to consider a few ancient misconceptions about the shapes and positions of particular countries.
The distance is 175 miles from Seleucia to Zeugma, 724 miles from Zeugma to Seleucia and Tigrim and 320 miles to the mouth of the Tigris, that is, 1,219 in all.
Of the second class, where the Romans had recent military campaign we have three in Europe, that is, Germany, Dacia and Sarmatia, one in Africa, Mauretania, and one in Asia, Armenia. Klotz has shown that he used Eratosthenes very often, but that on occasion he disagreed with him, and that Artemidorus apparently he did not use at all.
Read More ›   Scott Hepper And Halloween Ideas for 2013Read More ›? (KTVI) – Need some inspiration for some Halloween decorations?
It really made the entire thing come alive and added depth and sincerity.This said, there were times when the dialogue was masked by noise levels and parts of the bar scene were incredibly hard to focus on.
Since we are told that this work was widely circulated, some scholars have wondered whether Varro used some mechanical means of duplicating his miniatures; but educated slaves were plentiful, and we should almost certainly have heard about any such device if it had existed. Pliny continues: a€?Who would believe that Agrippa, a very careful man who took great pains over his work, should, when he was going to set up the map to be looked at by the people of Rome, have made this mistake, and how could Augustus have accepted it?
The second criterion is that the use (the alleged use) of the term longitudo for a north-south direction or for any direction other than the canonical one of east-west, shows us the direction of Agrippaa€™s order in treating of the geography. Nigidiusa€™ a€?barbaric spherea€? was derived from the like-named work of Asclepiades of Myrlea.
The two main passages from Straboa€™s second book may reasonably be regarded as a transcript of contemporary geographical practice and since between them they give an exact description of the methods followed in the ancient remains of the map of Agrippa, Tierney thinks that they may rightly be regarded as a strong proof that the views held on this map by Detlefsen and Klotz are generally correct. In somewhat similar circumstances Ptolemy reduced the figures of Marinus in Asia and Africa by about one-half.
This distance, he adds, is the latitude of the earth between the two seas, that is, the Mediterranean and the Persian Gulf. A I am now searching for the next line of gear I'll be using to chase salmon and steelhead. Noise levels add effect when they are done effectively, this was clear during the scene outside Javerts office whilst Fantine begs for her life, a real moment of choral unity.Mention must be made to Chris Smith (Javert) who portrayed the journey of a rigid man of the law, a justicial absolutist, question and compromise his before black and white view of the world and humanity only to lead himself into the water to drown. For it was Augustus who, when Agrippaa€™s sister had begun building the portico, carried through the scheme from the intention and notes [commentarii] of M. Tierney does not believe that either of these criteria can show us the order of treatment in the original publication, presuming, that is, that there was an original publication.
The detailed extension of the Greek parallels into the Roman west is apparently due to Nigidius. Agrippa, he thinks, took the itinerary figure for the distance from the Varus to the Arsia, which is given as 745 miles by Pliny (III, 132) and reduced it to a straight line of 411 miles by astronomical and mathematical measurement. A stunning performance.Nick Mitchell-Briggs, a man of gentle words and tempered timing masterfully played Jean Valjean, handled the variation of anger, sorrow, pride and pity to a fully embodied state.
We are prone to forget that all ancient geographers were necessarily map-minded, and even when the map was not before their physical eye, it was before their mental eye. This proves, therefore, that Agrippaa€™s map was not a purely itinerary map, but that Agrippa reduced the itinerary measurements in the way described. Very convincing.Misery comes in many shapes and sizes, sometimes we feel it and sometimes we cause it. Augustus, as he was ill, handed his signet-ring to Agrippa, thus indicating him as acting emperor.
The order of countries within a section would, I think, very much depend on the momentary motions or aberrations of that mental eye. It is unfortunate, however, that nearly all Agrippaa€™s figures come down to us in a non-reduced form that makes it impossible to reproduce his map. The same year Agrippa was given charge of all the eastern parts of the Empire, with headquarters at Mitylene. An utterly detestable couple of cut purses, in their own ways victims of their time, their generation, their society, propogators of the curses that their children would soon be living. A point of fixation from the audience, young Daniel plays the stage like an instrument and it is startlingly clear that he not only knows his words, he understands them. If this young man sticks with this field, tries hard and doesn't let the praise go to his head (I'm sure it won't) he has great things ahead of him.A Funnily enough, the second mention is related to the first, are you seeing a pattern emerging? Ellie Smith brought a reality to Eponine Thenardier that was refreshing and touching to witness.
The love bitten teenager who followed her idol of fancy onto the battlefield and met her end at the edge of a political bullet, dying in her loves arms. So I will, a little.A What would Les Mis be without the men who fought against misery with anger, the young rebel students of Paris lead by Enjolras (Hallam Britten), and how lead they were.
These young men of the company spoke intelligently and reflected an anger felt by many in the recent student protests, it was relevant and wholly deserving of praise.A This play has many characters and actors (young and old) who deserve a mention, the tragic demise of Fantine (Becky Kinghorn) was beautifully executed and her daughter played by both Miranda Smith (ANOTHER ONE?!) and Anna Gent, were simply a pleasure to watch as they travelled through this cavalcade of a play.
The spinsters and nuns were a particular favourite a good mix of nails out catcalls and muttering gossip. It first differentiated itself with its fine meats, explains Trip Straub, vice president of William A. Read More ›     SCOTT HEPPER CONTINUES WITH FOUR GREAT AM SHOW SEGMENTS FROM WEDDINGS TO CHRISTMAS!! This kind of dedication shows a level of hands-on attitude that is not to be messed with even in professional theatre.
It was a joy to witness.A To conclude, I feel it is too easy to label this group as an amateur dramatic society, too easy to see 'community' before thinking 'quality'. Today, the companya€™s signature item remains high-quality meats hand-cut by its staff of 25 butchers.
To call this group and everyone in it; their last, their least, their littlest, part of an amateur company is an insult. None of the selection, which includes USDA Prime cuts and Kobe beef, is prepackaged or previously frozen. This is theatre at it's best, a family with many surnames coming together through trials and tragedies to make something out of the ordinary, something exciting, something new. Well, hes at it again as master designer at Carriage House Florals at Diane Breckenridge Interiors in Frontenac. I thoroughly enjoyed this performance and will make more effort to see more, I am always impressed.A A 'A brilliant performance!
I enjoyed it more than the film version and now the story makes sense!''A Thoroughly enjoyed the show!
Well done!A This was an exceptional production, fantastic lights and music, simple but brilliantly effective staging and innovative video projection to link the storyline together.
This was an energetic, funny but moving play about a team of ladies taking part in the London MoonWalk to raise awareness of breast cancer. We feel so proud to have been part of the experience and to have raised so much for our chosen charitiesa€™.
More and more brides and grooms are choosing the autumn months to tie the knot and of course the fall colors are great for any celebration. A In the spirit of the play PVADS raised money from ticket sales, champagne raffles and donations to give to charity. Straub says the companya€™s combination of high-quality employees and products is in keeping with its a€?best of the besta€? philosophy.
Scott Hepper, Master Designer at Walter Knoll Florist, shared some of their great looking fall […]?Divorce parties becoming a new trend(KTVI) – The marriage may be over but not the fun.  Divorce cakes are the latest craze of 2014.   But why stop there?  Throw your divorced friend a freedom party!
Although all the figures have not yet been finalised I can confirm the Cheshire Cats will be donating over A?500 to charity!
Learn more about Walter Knoll FloristSpring Bridal Trends(KTVI) – It’s that time of year when flowers start to bloom and wedding season is approaching. Scott Hepper with Walter Knoll talks about some of the latest trends.What do those flowers mean?(KTVI) – The next time you say “let’s send flowers,” think about the meaning. It was so well acted, visually exciting and had enough energy to light Pewsey on a dull day! Inspired by the play and having run the race for life a few years ago i thought (at the risk of quoting Maggie) i could lose some baby weight and raise some money at the same timeA "A Taking part in the Cheshire Cats has been an amazing experience and will be a memory I will cherish forever. I feel honoured and priviledged to have had the opportunity to work with some very talented people and you have all taught me so much ! Peruvian […]Flowers and your personality(KTVI) – Our favorite flowers can say something about our personalities.
PVADS is an amazing group to be a part of and I am really thankful that I came along for that audition. Scott Hepper, from Walter Knoll Florist, talks with Tim Ezell about some of the popular flowers and what they might say about who you are.
The best thing about this whole journey is the self confidence it has given me , oh and I have learnt how to act like a 'Cougar' all I can say now is 'Watch out all you PVADS lads' grrrrrrroowwwlll!How about it folks? LOUIS, MO (KTVI) – On the day after Christmas, UPS and FedEx scrambled to deliver packages that were promised to be delivered before Christmas day.  This backlog impacted thousands of people giving and receiving gifts this season. According to a UPS spokesperson, a few different issues caused these delays, like severe weather in Dallas, […]Holiday decorating ideas on a budget(KTVI) – Want to deck the halls, but don’t have a deck of cash to do it?
Scott Hepper, master florist and idea guy from Walter Knoll Florist, talks with Randi Naughton about some great ideas under $5. Find out more:  […]Setting your Thanksgiving table(KTVI) – Tim tried to set a Thanksgiving table, but it lacks a little something. Scott Hepper, from Walter Knoll Florist, showed off some easy tips under $5 for making your table special for your family’s feast. LOUIS, MO (KTVI) – If you’re hosting some folks for Independence Day, you want it to look festive for the celebration.
The most fulfilling moments were the group scenes where all of the characters were active, responding and reacting to what's being said. We celebrate Easter next week and Scott Hepper, a master designer with Walter Knoll Florist explains the meaning behind some of your favorite Easter flowers.
Through a€?marketing, merchandising, ordering and spending 12 hours a day, not doing any prep work in the back, but literally staying on that floor up front, making contact and introducing myself.a€? (See more about Mr.
Americans […]Keeping Healthier Flowers(KTVI) – Everyone loves getting flowers but the beauty only lasts so long, because eventually they die.
Scott Hepper, the master designer from Walter Knoll Florist, gave tips on how you can make that beauty last. Hepper reduced the number of products the departments stock and replaced lower-priced items with seasonal, high-impact florals that a€?nobody else has.a€? The resulting European-style floral departments are more in tune with the tastes of Strauba€™s customers. And while the dress is the main event for the bride, everything around you need to shine on that big day too!
Scott Hepper from Walter Knoll Florist talks about some of the trends for the new year and in one word, simplicity.Decorate Your Chandelier For ChristmasST. The store expects to top $300,000 this year, with floral contributing 4.5 percent toward total store sales. Wrap a tall bunch of twigs-river birch twigs (1 […]Halloween Table Ideas(KTVI) – Walter Knoll Florist Master Designer Scott Hepper showed Margie some fun and even outrageous table and home decorations.
He talks about fall wedding flower trends and how much they could cost you.End-Of-Summer Party Tips(KTVI) – Summer is beginning to wind down but don’t worry, there is still time to have that last summer get-together. And to help make sure it’s a good one, Scott Hepper, master designer for Walter Knoll Florist is here to share how to get the party started, with the help of food from Straubs.Scott HepperMaster DesignerVoted best floral designer 2009 and 2010, among the top 3 in 2011 and  featured as St. This is theatre at it's best, a family with many surnames coming together through trials and tragedies to make something out of the ordinary, something exciting, something new.
Heppera€™s philosophy of differentiation, the floral departments dona€™t sell ready-made bouquets. I thoroughly enjoyed this performance and will make more effort to see more, I am always impressed.A A 'A brilliant performance! I enjoyed it more than the film version and now the story makes sense!''A Thoroughly enjoyed the show! Customers favor a€?Martha Stewart-stylea€? arrangements with dense florals and few filler flowers. He keeps the floral cooler fully stocked with designs ranging in price from $50 to $100 but no bud vases, asserting that their low prices arena€™t worth his labor costs or cooler space. Hepper has become the face of Strauba€™s florals, turning public appearances and charitable donations into opportunities to tout the companya€™s florals and draw customers into the stores. Here are just a few of his marketing successes: a€? He donated altar pieces for a local parisha€™s cathedral for Christmas one year, and for Easter the congregation paid him to decorate the entire building. In addition, his floral creations have been featured in the church newsletter, and he now gets work from the parish for weddings, funerals and other events. Audiences were treated to magical, fantastical, energetic performances over three nights and showed their appreciation by loud laughter, applause and standing ovations. Sensitively and naturalistically directed, the actors made this completely accessible to our audiences. The set was simple but very effective - 4 huge neolithic stones, 2 advertising banners and centre sacrificial stones used as a platform.
Andy Vowles as Duke Theseus did a plausible impression of a baby boomers rock star and his screaming fans made the opening full of noise and vibrancy.
Avril Allsop also showed she was no shrinking violet and made the most of her small role as Hippoltya . Louis Art Museum, one year, and the next year, the museum asked him back to give a floral demonstration for 400 people.
It is sometimes hard to know why Helena, played by Kate Powell, actually loves him so much.
But Kate brought just enough humour and pathos to her besotted love that it showed that even she didn't quite understand the vaguries of her heart either!
A very strong performance from Kate made all the more remarkable by her short (3 day) rehearsal time. Our first glimpse of the mechanicals introduced a motley team of hapless stage hands who couldn't organise the proverbial in a brewery. The visually funny physicality of the team - 5 large men and the smallest mouse of a boy - only hinted at the riotous hilarity to follow.The transformation scene from Stonehenge to enchanted forest, orchestrated by Puck was indeed magical. Oberon's fairies, played by Cherry Mawby, Sarah Devine, Anna Gent, Coutney Clark and Hannah Jeffries - were absolutely key in creating atmosphere and drama throughout the play through their constant focus and otherworldly movement - always watching - at times quite sinister but then free and wild!We were then treated to some fantastic violent verbal sparring from Emma Preuss as Titania - there was no doubt that she and Oberon had strong forces at work between them, both anger and a overpowering physical relationship.
I must commend Jai Little on his 1st stage appearence - he managed to keep his focus during the sizzling arguments and shouting between his dad, Darren little, and his stagemum Titania! Puck transforms Bottom, played by Martin Turner, into a donkey who Titania immediately falls in love with.
I have seen this performed in many ways, portraying Bottom completely comically or just as a sexual object - but Martin brought a subtlety to his performance that was just perfect and was complimented by a convincingly lustful Titania and horrified fairies!The scene where the lovers are in total confusion - with the help or should I say hindrance of Puck's magic potion, Lysander and Demetrius now love Helena and Hermia is spurned by all of them - tends to be the hardest of all to play. Many adaptations use a mixture of overt comedy and farce to show how ridiculous love can be. Nettie chose to bring real emotions to the lovers - the confusion, anger and bewilderment of the girls was believable and the conflict between the boys kept the pace fast moving.
We were treated to some excellent team work from the four lovers and the scene ended with a heart-rending song from Hermia which left the audience in tears at the interval!The subtle use of music throughout the play helped set the mood of each scene, almost like a film score, however it was the beautifully choreographed fight and flight scene in the woods with the lovers that deserves particular mention - as does some of the quirky musical introductions to the mechanicals, from awful off key sound track of Madness to heavy rock ballad of Nazereth.But really the mechanicals needed no introduction! Straub says the size will allow the store to expand on the best of Strauba€™s, including floral.
Dan Eyles as Snout, the wall looked hilarious in his 'homemade' wall out of beer, pizza and coke boxes and somehow managed to pull the most exquisitely funny facial expressions with his head in a wine box! Then we had too opposites in both age, stature and experience both vying to steal the show with their performances. Paul Hornbogen played Starveling the moon- a man of few words - but with the aid of a lantern, a dog lead and long history of comedy acting behind him managed to bring so much humour to his role in such a minimalistic way. Daniel Smith as Snug the lion , one of our youngest actors, held his own throughout the play - he observed, listened, copied the great actors he was playing against and then added his own little bit of magic - a promising comedian for the future.In summary - this was a fantastic production, visually, emotionally, dramatically - put on by a well rehearsed, well directed, well supported team of actors. It has a circular countera€”a€?almost like the concierge at The Ritz-Carltona€?a€”and is centrally located.



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