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This Kids Shoes Size Chart Conversion is a nice wallpaper and stock photo for your computer desktop and your personal use, and it is available in wide and high resolutions. A decline in restriction and the increasing influence of naturalness were the chief characteristics of the changes in women’s dress during the first ten years or so of the 20th century. The popular image was the Gibson Girl – shapely s-bend corseted women all trying to out do each other with extravagant millinery.
By 1906 the train was gone and skirts began to rise above the ankle as well as lose their tight fitting corseted look.
By 1911 the straight front of the corset, with its move towards health, and the increasing charms of naturalness opened all eyes at last to the attractiveness of slenderness. By 1910 the skirt trains had disappeared and hips became more emphasized with little semi fitting coats, cut away to reveal frills. The influence of the First and Second World war on women’s fashion is seismic to say the least.
By 1915 with more and more women of all classes involved in war duty, skirt hems began to rise to the calf, and with a new circular silhouette – soon to be dubbed the war crinoline.
Contrary to popular myth – the corset was still very popular amongst women, with a few exceptional flappers throwing them away in favor of a simple chemise and rolled stockings. Costume jewelry was now a major style accessory thanks to Chanel, whose Paris jewellery shop specialized in faux gems – designed to decorate and actually enhance a dress rather than just flaunt wealth. Hairstyles took a while to shorten but by 1923- barbers were offering the big chop for any women willing to dare. His fashions were essentially only affordable by the rich, though he helped talented women from lower income classes to find work by creating the Ecole Martine design school. Madame Vionnet – took her first significant work with the Callot Soeurs, where she refined her craft in cutting, fitting, and sewing chemise style dresses, until she was engaged by the House of Doucet. Her gowns were an ingenious re-employment of bias stretch, coupled with draping live models during the construction phase, which brought a gentle womanliness to dress fashion and heralded the beginnings of the free-form designs of the 1920’s.
Elsa Schiaparelli, an Italian fashion designer, was as an artist first and foremost, rather than a draper like Vionnet. In the 1930s she continued Chanel’s idea of comfortable sweaters and cardigan jackets, but it was her suits, and evening dresses that made her name. While these forays into the whimsical may have detracted somewhat from the real magnitude of her contribution to women’s fashion, the House of  Schiaparelli dominated attention in the USA in the early 1930s, with her swimwear [ she designed the first backless swimsuit to allow women to get a more even suntan! Elsa also laid the foundations in 1938 for the big shouldered look of the 1940’s when she began to add padding to her evening suits and coat designs. Beauty and health continued to become more popular,with women joining health clubs everywhere. Another noted addition to the chic looks of the 1930s, in particular as a sportswear or beach accessory were sunglasses.
Start at the top of your head down over one ear, under your chin, up past the other ear and back to top of head. The dates of the Paris fashion week, London and Milan fashion weeks are still determined by the French Fashion Federation.

The Edwardian mode was a new casual style that is still very pretty to look at – as these Edward Sambourne photos testify. Marcel waves, arranged in ‘pompadour,’ supported and inspired Edwardian hats with curves, picture hats, large hats well trimmed with feathers or loops of ribbon, tried to vie with the splendor and shape of the hair ! During the First World war, women worked in factories, drove ambulances, tended the wounded in field hospitals, and by necessity, rearranged their wardrobes to suit. The 1920s Garconne look could still be achieved with the new cylindrical elasticized corsets which were much more pleasant and bearable to wear. Paul Poiret’s Kimono coat was his most successful design which helped make a name for his own couture house, established in 1903. He also became the first famous designer to create a fragrance company – Parfums de Rosine. Coco Chanel – democratized fashion like no one else and helped bring haute couture designs to ordinary working women.
Schiaparelli’s interest in fasteners led her to produce many clever alternatives to buttons, including elastic skirt hooks, nickel clips, and most famously the zip fastener.
1930s Makeup – marketed with the help of Hollywood stars such as Carole Lombard, Myrna Loy and cosmetics gurus like Max Factor, was now an integral part of 1930s fashion. Other popular DIY hairstyles in the 1930s involved creating barrel curls with hot rollers in any and every imaginative style you could think of. In the UK – the Utility scheme was introduced in 1939 with severe restrictions on fabric use. When France was occupied by the Nazi regime, the fashion houses of Schiaparelli, Chanel and Vionnet closed down, whilst newer designers like Jacques Fath remained open. Also it is impossible to examine fashion trends without highlighting the leading names in dress design from each era. Skirts became even shorter, hair was either tied up or cropped,  and fashion designers were for a time, out-paced by the march of history itself. By the late 1920s, older women had succumbed as well and the short hair worn with various shapes of cloche hat was the general style. Her version of the three piece suit consisted of a cardigan, pullover sweater and a skirt made out of patterned jersey knit fabric. But conservatism was the only response there could be with the boom time of the 1920s over. The new synthetic elastex revolutionized shape wear and it was now actually pleasurable rather than torture to wear a girdle or corset. Permanent waves were the norm in the early 1930s, but by the late 1930s, hairdressing magazines such as The Beauty Shop began to encourage women to grow their hair longer in order to frame the increasingly popular wider padded shoulder look that was coming in to vogue by 1938. Utility clothing bore the label CC41 and allowed affordable glamor to women who had collected a certain amount of coupons.
The archives of the Chambre Syndicale de la Couture were handed over to the occupiers and a serious attempt was made to move Haute Couture to Berlin. With London occasionally raising its head above the parapet, it was really a game of tennis between New York and Paris.

Tailored suits with gentle waists and easy movement became the norm and increasingly demanded by women.
The House of Worth, helped popularize the chemise or shift look, with its Magyar sleeves covering the upper arm, exposing the neck, and as free at the waist from corsetry as a peasants smock. The top fashion houses in Paris was Worth, Jacques Doucet – who gave Paul Poiret his start. Paul Poiret, was without any doubt the most famous of the Edwardian and post Edwardian designers. However his simple straight cut and rectangular designs marked a beginning of modernism in clothing. Her clever use of knitted jersey transformed the status of knitwear, originally used only for undergarments. Shoes adopted many influences from the art world, and Italian style genius Salvatore Ferragamo went a step further with his cork heeled high fashion sandals for women. As Chanel had learned in the 1914-18 war, when fabric was hard to get, hats were the next best thing, and once again, millinery shops strove to keep French ladies glamorous during the worst times of occupation. A young Coco Chanel fell in love with the chemise look and adapted the dress with the Middy blouse style [ using drop waist belts ] to create the early Flapper dress.
New American synthetic materials such as rayon and later nylon, were for a time not openly welcomed by the old guard of fashion houses. Then Jeanne Lanvin produced an even simpler model with round neck and elbow sleeves, held at the waist by a tasselled girdle, that became the beau-ideal of every woman who attempted to make a frock for the first time. Cloche hats hung around till 1933 until the new French beret styles, worn at an angle, took the fashion world by storm. But young guns like Coco Chanel and Madame Vionnet saw a distinct advantage to the idea of mass production –  the possibility that all women, regardless of income, could be glamorous and fashionable. Events however were to overtake the frivolities of hobble dresses, along with corsets ,crinolines, parasols and the delicacy of papier poudre makeup! Coat frocks in navy or covert suiting took the place of the coat and skirt, while outdoor clothes were strongly marked with the spirit of war – effeminate versions of trench coats and other visible signs of military ethos. While peg top and barrel skirts came and went – the simple straight-line one piece frock took precedence and has dominated  both day and evening wear ever since! Short hair was accepted – as most women worked in some way or the other for the war effort. But by 1922 the popular Jantzen sport swimwear, with its sleek body hugging design was to take the world by storm.

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